1. Genet and Europe
  2. Edmund White
  3. pp. 5-10
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  1. Saint Weidmann
  2. Philip Watts
  3. pp. 11-19
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  1. Reading Life Signs in Jean Genet’s “Atelier d’Alberto Giacometti” and “Ce qui est resté d’un Rembrandt…”
  2. Cynthia Running-Johnson
  3. pp. 20-29
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  1. Jean Genet: La position du Franc-tireur
  2. Jean-Michel Rabaté
  3. pp. 30-39
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  1. The Politics of Camp in Jean Genet’s Our Lady of the Flowers
  2. Pascale Gaitet
  3. pp. 40-49
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  1. Genet’s Shadow Theatre: Memory and Utopian Phantasy in Un captif amoureux
  2. Scott Durham
  3. pp. 50-60
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  1. Black on White: Language and Revolution in Genet’s Political Writings
  2. Gisèle Child-Olmsted
  3. pp. 61-69
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  1. Un Chant d-amour. Le cinéma de Jean Genet by Jane Giles (review)
  2. Tom Conley
  3. p. 79
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  1. Splendid’s by Jean Genet (review)
  2. Judith G. Miller
  3. p. 80
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  1. Jean Genet: Prison, Homosexualité, Politique by Eurêka (review)
  2. Makiko Ueda
  3. pp. 80-81
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  1. Numéro spécial du Magazine Littéraire by Jean Genet (review)
  2. Diane Henneton
  3. pp. 81-83
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  1. Textes réunis par Jérôme Hankins by Genet à Chatila (review)
  2. Bernard Schaetti
  3. p. 83
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  1. Genet: A Biography by Edmund White (review)
  2. Brian Gordon Kennelly
  3. p. 84
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  1. French Autobiography by Michael Sheringham (review)
  2. James Olney
  3. pp. 84-86
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  1. Subjectivity and Subjugation in Seventeenth-Century Drama and Prose by Mitchell Greenberg (review)
  2. Ralph Albanese Jr.
  3. pp. 86-87
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  1. Editor’s Introduction
  2. Patrice Bougon
  3. pp. 3-4
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