1. Traduire les Sonnets de Shakespeare
  2. Yves Bonnefoy
  3. pp. 14-21
  4. DOI: 10.1353/esp.1994.0059
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  1. D’une période l’autre: Une poétique du “Passage” (En hommage à Micheline Tison-Braun)
  2. Germaine Brée
  3. pp. 22-27
  4. DOI: 10.1353/esp.1994.0050
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  1. Decentering the Invitation, to Take the Trip
  2. Mary Ann Caws
  3. pp. 28-34
  4. DOI: 10.1353/esp.1994.0000
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  1. Les silences de la voix: De Quignard à des Forêts
  2. Hanna Charney
  3. pp. 35-41
  4. DOI: 10.1353/esp.1994.0010
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  1. Jules Supervielle en 1994: Lyrisme et burlesque
  2. Tatiana Greene
  3. pp. 42-48
  4. DOI: 10.1353/esp.1994.0019
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  1. Chef-d’œuvre et art poétique: Enfance
  2. Bettina L. Knapp
  3. pp. 49-57
  4. DOI: 10.1353/esp.1994.0028
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  1. Par-delà les frontières (La Crise de l’humanisme en ex-URSS)
  2. Evguény Kouchkine
  3. pp. 58-63
  4. DOI: 10.1353/esp.1994.0037
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  1. Ecriture, danse et mondes imaginaires
  2. Ruth Matilde Mésavage
  3. pp. 64-70
  4. DOI: 10.1353/esp.1994.0046
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  1. André Malraux, écrivain d’art indépendant
  2. Christiane Moatti
  3. pp. 71-81
  4. DOI: 10.1353/esp.1994.0056
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  1. The Bodily Experience of Simone Weil
  2. Neal Oxenhandler
  3. pp. 82-91
  4. DOI: 10.1353/esp.1994.0006
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  1. Colette’s Love Triangles
  2. Jeanine Parisier Plottel
  3. pp. 92-98
  4. DOI: 10.1353/esp.1994.0015
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  1. Corinne: The Third Woman
  2. Naomi Schor
  3. pp. 99-106
  4. DOI: 10.1353/esp.1994.0024
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  1. Magie et métaphores félines dans le Miroir des limbes
  2. Béatrice Stiglitz
  3. pp. 107-112
  4. DOI: 10.1353/esp.1994.0033
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  1. Le centre ou les foyers?
  2. Claude Tannery
  3. pp. 113-118
  4. DOI: 10.1353/esp.1994.0042
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  1. Bibliographie abrégée des œuvres de Micheline Tison-Braun
  2. Dharie Vanbimol
  3. pp. 119-120
  4. DOI: 10.1353/esp.1994.0061
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  1. Le centre absent: Introduction
  2. Françoise Dorenlot
  3. pp. 3-13
  4. DOI: 10.1353/esp.1994.0049
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