1. Orientalism after Orientalism
  2. Ali Behdad
  3. pp. 3-11
  4. DOI: 10.1353/esp.1994.0011
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  1. Pointless Stories, Storyless Points Roland Barthes Between “Soirées de Paris” and “Incidents”
  2. Ross Chamber
  3. pp. 12-30
  4. DOI: 10.1353/esp.1994.0020
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  1. “Beyrouth, à la Folie”
  2. Walid Ra’ad
  3. pp. 31-41
  4. DOI: 10.1353/esp.1994.0029
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  1. Du bon usage des stéréotypes orientalisants: vol et recel de préjugés anti-maghrébins dans les années 1990
  2. Mireille Rosello
  3. pp. 42-57
  4. DOI: 10.1353/esp.1994.0038
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  1. Rethinking the Radical West: Khatibi and Deconstruction
  2. Mary Ellen Wolf
  3. pp. 58-68
  4. DOI: 10.1353/esp.1994.0047
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  1. Art of Colonialism, Colonialism of Art: The Description de l’Égypte (1809–1828)
  2. David Prochaska
  3. pp. 69-91
  4. DOI: 10.1353/esp.1994.0057
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  1. Shadow Plays: René Leys and the Exotic Quest
  2. Gianna Quach
  3. pp. 92-101
  4. DOI: 10.1353/esp.1994.0007
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  1. Acting Out Orientalism: Sapphic Theatricality in Turn-of-the-Century Paris
  2. Emily Apter
  3. pp. 102-116
  4. DOI: 10.1353/esp.1994.0016
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  1. Culture and Imperialism by Edward W. Said (review)
  2. Joyce E. Boss
  3. pp. 117-118
  4. DOI: 10.1353/esp.1994.0025
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  1. In Theory: Classes, Nations, Literatures by Aijaz Ahmad (review)
  2. Ranu Samantrai
  3. pp. 118-119
  4. DOI: 10.1353/esp.1994.0034
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  1. Critical Terrains: French and British Orientalisms by Lisa Lowe (review)
  2. Basil Guy
  3. pp. 119-120
  4. DOI: 10.1353/esp.1994.0043
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  1. Transfigurations of the Maghreb: Feminism, Decolonization, and Literature by Winnifred Woodhull (review)
  2. Lucy Stone McNeece
  3. pp. 120-121
  4. DOI: 10.1353/esp.1994.0053
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  1. Exotic Women: Literary Heroines and Cultural Strategies in Ancien Régime France by Julia Douthwaite (review)
  2. Jonathan Walsh
  3. p. 122
  4. DOI: 10.1353/esp.1994.0003
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  1. The Desert by Pierre Loti (review)
  2. John Erickson
  3. pp. 123-124
  4. DOI: 10.1353/esp.1994.0013
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  1. Women and Discourse in the Fiction of Marguerite Duras by Susan D. Cohen (review)
  2. Madeleine Borgomano
  3. p. 125
  4. DOI: 10.1353/esp.1994.0022
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  1. The Writing or Melancholy: Modes of Opposition in Early French Modernism by Ross Chambers (review)
  2. Suzanne Nash
  3. p. 126
  4. DOI: 10.1353/esp.1994.0031
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  1. George Sand and Idealism by Naomi Schor (review)
  2. Kathryn J. Crecelius
  3. p. 127
  4. DOI: 10.1353/esp.1994.0040
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