1. Ecrire au féminin à la Renaissance: Problèmes et perspectives
  2. François Rigolot
  3. pp. 3-10
  4. DOI: 10.1353/esp.1990.0027
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  1. “Exerçant œuvres viriles”: Feminine Anger and Feminist (Re)Writing in Hélisenne de Crenne
  2. Jerry C.Nash
  3. pp. 38-48
  4. DOI: 10.1353/esp.1990.0056
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  1. “Ardeur de veoir”: Reading Knowledge in Pernette du Guillet’s Rymes
  2. Jan Boney
  3. pp. 49-60
  4. DOI: 10.1353/esp.1990.0003
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  1. Parole d’Echo?: Pernette au miroir des Rymes
  2. Gisèle Mathieu-Castellani
  3. pp. 61-71
  4. DOI: 10.1353/esp.1990.0013
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  1. Gender Imprinting in Montaigne’s Essais
  2. Robert D. Cottrell
  3. pp. 85-96
  4. DOI: 10.1353/esp.1990.0033
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  1. “L’horreur de mon exemple” in Marie de Gournay’s Proumenoir de Monsieur de Montaigne (1594)
  2. Cathleen M. Bauschatz
  3. pp. 97-105
  4. DOI: 10.1353/esp.1990.0043
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  1. Bibliographie
  2. Kirk D. Read
  3. pp. 106-111
  4. DOI: 10.1353/esp.1990.0052
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  1. Extravagant Narratives by Elizabeth J. MacArthur (review)
  2. Barbara L. Merry
  3. p. 112
  4. DOI: 10.1353/esp.1990.0061
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  1. Jules Michelet: Historian as Critic of French Literature by John R. Williams (review)
  2. Edward K. Kaplan
  3. pp. 112-113
  4. DOI: 10.1353/esp.1990.0009
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  1. The Emergence of Social Space: Rimbaud and the Paris Commune by Kristin Ross (review)
  2. Gayle Levy
  3. pp. 113-114
  4. DOI: 10.1353/esp.1990.0019
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  1. Index, Volume XXX (1990)
  2. pp. 118-119
  3. DOI: 10.1353/esp.1990.0062
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  1. “Un honneste passetems”: Strategies of Legitimation in French Renaissance Women’s Prefaces
  2. Anne R. Larsen
  3. pp. 11-22
  4. DOI: 10.1353/esp.1990.0037
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