1. Le Tribun, ou le Comédien de l’échafaud, mélodrame révolutionnaire
  2. Julia Przyboś
  3. pp. 16-25
  4. DOI: 10.1353/esp.1989.0014
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  1. A Woman’s Place: La Petite Fadette v. La Voix des Femmes
  2. Margaret Cohen
  3. pp. 26-38
  4. DOI: 10.1353/esp.1989.0022
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  1. Revolutionary Paris and Literary France
  2. Priscilla Parkhurst Ferguson
  3. pp. 39-49
  4. DOI: 10.1353/esp.1989.0030
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  1. Revolution and Aesthetics in Hugo’s Quatrevingt-treize
  2. Timothy Raser
  3. pp. 50-61
  4. DOI: 10.1353/esp.1989.0038
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  1. Mil seizh kant trizek ha pevar ugent (1793), ou la Révolution française en breton
  2. Paol Keineg
  3. pp. 62-73
  4. DOI: 10.1353/esp.1989.0046
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  1. Cantique de Saint-Just
  2. Denis Hollier
  3. pp. 74-83
  4. DOI: 10.1353/esp.1989.0003
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  1. The Myth of the Bastille and Sartre’s French Revolution
  2. Lawrence D. Kritzman
  3. pp. 84-91
  4. DOI: 10.1353/esp.1989.0011
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  1. Rethinking the French Revolution: Marxism and the Revisionist Challenge by George C. Comminel (review)
  2. Sandy Petrey
  3. pp. 92-93
  4. DOI: 10.1353/esp.1989.0019
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  1. Engagement and the Language of the Subject in the Poetry of Aimé Césaire by Ronnie L. Scharfman (review)
  2. J. Michael Dash
  3. pp. 93-94
  4. DOI: 10.1353/esp.1989.0027
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  1. Surrealism and the Book by Renée Riese Hubert (review)
  2. John Anzalone
  3. pp. 94-95
  4. DOI: 10.1353/esp.1989.0035
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  1. French Women Writers and the Book. Myths of Access and Desire by Tilde A. Sankovitch (review)
  2. Anne R. Larsen
  3. pp. 95-96
  4. DOI: 10.1353/esp.1989.0043
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  1. Introduction: Literature, Language, Revolution
  2. Sandy Petrey
  3. pp. 5-15
  4. DOI: 10.1353/esp.1989.0006
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