1. The Image as Textual Unconscious: Medieval Manuscripts
  2. Stephen G. Nichols
  3. pp. 7-23
  4. DOI: 10.1353/esp.1989.0008
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  1. The Perverse Traveler: Flaubert’s Voyage en Orient
  2. Dennis Porter
  3. pp. 24-36
  4. DOI: 10.1353/esp.1989.0016
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  1. Rewriting the Oedipal Triangle: Feminism, Psychoanalysis and the Saint-Simonians
  2. Leslie Wahl Rabine
  3. pp. 37-49
  4. DOI: 10.1353/esp.1989.0024
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  1. The Body in Question: Anatomy, Textuality, and Fetishism in Zola
  2. Janet Beizer
  3. pp. 50-60
  4. DOI: 10.1353/esp.1989.0032
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  1. Anxious Affinities: Text as Screen in Truffaut’s Jules et Jim
  2. T. Jefferson Kline
  3. pp. 61-71
  4. DOI: 10.1353/esp.1989.0040
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  1. Fore-skin and After-image: Photographic Fetishism in Tournier’s Fiction
  2. Emily Apter
  3. pp. 72-82
  4. DOI: 10.1353/esp.1989.0048
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  1. What is Called Subject?: A Note on Lacan’s “Linguistery”
  2. Mikkel Borch-Jacobsen, Douglas Brick
  3. pp. 83-96
  4. DOI: 10.1353/esp.1989.0004
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  1. Jacques Lacan and the Adventure of Insight: Psychoanalysis in Contemporary Culture by Shoshana Feiman (review)
  2. Martha Noel Evans
  3. pp. 97-98
  4. DOI: 10.1353/esp.1989.0012
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  1. Reading in Detail: Aesthetics and the Feminine by Naomi Schor (review)
  2. Charles Bernheimer
  3. pp. 98-99
  4. DOI: 10.1353/esp.1989.0020
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  1. Writing the Truth: Authority and Desire in Rousseau by Thomas Kavanagh (review)
  2. Jenene J. Allison
  3. pp. 101-102
  4. DOI: 10.1353/esp.1989.0036
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  1. Music, Archetype, and the Writer: A Jungian View by Bettina Knapp (review)
  2. Micheline Tison-Braun
  3. p. 103
  4. DOI: 10.1353/esp.1989.0044
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  1. Freud, Proust and Lacan: Theory as Fiction by Malcolm Bowie (review)
  2. Vaheed K. Ramazani
  3. p. 104
  4. DOI: 10.1353/esp.1989.0001
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