1. Le Merveilleux scientifique and the Fantastic
  2. Rae Beth Gordon
  3. pp. 9-22
  4. DOI: 10.1353/esp.1988.0039
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  1. From Represented to Literal Space: Fantastic Narrative and the Body in Pieces
  2. Deborah Harter
  3. pp. 23-35
  4. DOI: 10.1353/esp.1988.0007
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  1. Balzac and the Literature of Belief
  2. Tobin Siebers
  3. pp. 37-47
  4. DOI: 10.1353/esp.1988.0017
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  1. Female Fantastic: The Case of George Sand
  2. Kathryn J. Crecelius
  3. pp. 49-62
  4. DOI: 10.1353/esp.1988.0026
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  1. Changing Overcoats: Villiers’ “L’Intersigne” and the Authority of Fiction
  2. Ross Chambers
  3. pp. 63-77
  4. DOI: 10.1353/esp.1988.0035
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  1. Believe It or Not: On Reading the Fantastic and Robbe-Grillet’s Djinn
  2. Anna Whiteside
  3. pp. 79-87
  4. DOI: 10.1353/esp.1988.0045
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  1. The Romantic Fantastic by Tobin Siebers (review)
  2. Deborah Vaniderstine Traas
  3. p. 89
  4. DOI: 10.1353/esp.1988.0054
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  1. Séduire, ou la passion des Lumières by Pierre Saint-Amand (review)
  2. James Creech
  3. pp. 92-94
  4. DOI: 10.1353/esp.1988.0031
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  1. Genese De L’esthétique Française Moderne by Annie Becq (review)
  2. Haskell M. Block
  3. pp. 94-95
  4. DOI: 10.1353/esp.1988.0041
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  1. Novel Configurations: A Study of French Fiction by Allan H. Pasco (review)
  2. Catharine Savage Brosman
  3. pp. 95-96
  4. DOI: 10.1353/esp.1988.0050
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  1. Editor’s Preface
  2. Laurence M. Porter
  3. pp. 5-7
  4. DOI: 10.1353/esp.1988.0008
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