1. A Silence Seen
  2. Tom Conley
  3. pp. 5-12
  4. DOI: 10.1353/esp.1988.0036
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  1. The Flamboyant Design of Jean Lemaire de Belge’s La Concorde des deux langages
  2. Michael Randall
  3. pp. 13-24
  4. DOI: 10.1353/esp.1988.0046
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  1. La parleuse muette
  2. Gisèle Mathieu-Castellani
  3. pp. 25-35
  4. DOI: 10.1353/esp.1988.0055
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  1. Fonctions de l’écriture emblématique chez Rabelais
  2. François Rigolot, Sandra Sider
  3. pp. 36-47
  4. DOI: 10.1353/esp.1988.0004
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  1. Le bruissement silencieux de la graphie dans “Les fanfreluches antidotées”
  2. Eva Tsuquiashi-Daddesio
  3. pp. 48-57
  4. DOI: 10.1353/esp.1988.0014
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  1. “continuelz discors”: The Silent Discourse of Délie’s Emblems
  2. Randolph Runyon
  3. pp. 58-67
  4. DOI: 10.1353/esp.1988.0023
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  1. Scève’s Blasons and the Logic of the Gaze
  2. Robert D. Cottrell
  3. pp. 68-77
  4. DOI: 10.1353/esp.1988.0032
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  1. De l’usage des images muettes: Imagination poétique de Barthélémy Aneau
  2. François Cornilliat
  3. pp. 78-88
  4. DOI: 10.1353/esp.1988.0042
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  1. A Severe and Militant Charity
  2. Sanford S. Ames
  3. pp. 89-95
  4. DOI: 10.1353/esp.1988.0051
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  1. Bénigne Poissenot. L’Este [1583] ed. by Gabriel-A. Pérouse, Michel Simonin (review)
  2. Janet L. Solberg
  3. pp. 97-98
  4. DOI: 10.1353/esp.1988.0011
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  1. Literary Theory/Renaissance Texts ed. by Patricia Parker, David Quint (review)
  2. Nancy Weigel Rodman
  3. pp. 98-99
  4. DOI: 10.1353/esp.1988.0020
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  1. The Grammar of Silence. A Reading of Marguerite de Navarre’s Poetry by Robert D. Cottrell (review)
  2. Michel Dassonville
  3. pp. 100-101
  4. DOI: 10.1353/esp.1988.0038
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  1. The Emblem and Device in France by Daniel S. Russell (review)
  2. Gerard J. Brault
  3. pp. 102-103
  4. DOI: 10.1353/esp.1988.0057
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