1. Madness and the Colonies: French and Anglo-Saxon Versions of the Mysterious Origins of Crime
  2. Uri Eisenzweig
  3. pp. 3-14
  4. DOI: 10.1353/esp.1986.0018
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  1. Lacan, Don Juan, and the French Detective
  2. Hanna Charney
  3. pp. 15-25
  4. DOI: 10.1353/esp.1986.0027
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  1. Lire le roman policier
  2. Jean-Paul Colin
  3. pp. 26-36
  4. DOI: 10.1353/esp.1986.0036
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  1. Alibis of the Police
  2. D. A. Miller
  3. pp. 37-47
  4. DOI: 10.1353/esp.1986.0045
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  1. Literature and the Hermeneutics of Detection
  2. Hennan Rapaport
  3. pp. 48-59
  4. DOI: 10.1353/esp.1986.0055
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  1. Du double à la doublure: l’image du détective dans les premiers romans de Robbe-Grillet
  2. Alain-Michel Boyer
  3. pp. 60-70
  4. DOI: 10.1353/esp.1986.0005
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  1. Belletto’s Speculations
  2. Warren F. Motte Jr.
  3. pp. 71-81
  4. DOI: 10.1353/esp.1986.0014
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  1. Simenon et Maigret à l’ère du soupçon
  2. Jean Fabre
  3. pp. 82-92
  4. DOI: 10.1353/esp.1986.0023
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  1. Haddock, whisky à gogo et petites pépées
  2. Nicolas V. Gaudin
  3. pp. 93-103
  4. DOI: 10.1353/esp.1986.0032
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  1. Literary Fortifications: Rousseau, Laclos, Sade by Joan DeJean (review)
  2. Georges Van Den Abbeele
  3. pp. 104-105
  4. DOI: 10.1353/esp.1986.0041
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  1. Reading Frames in Modern Fiction by Mary Ann Caws (review)
  2. Micheline Tison-Braun
  3. pp. 106-107
  4. DOI: 10.1353/esp.1986.0002
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  1. Story and Situation. Narrative Seduction and the Power of Fiction by Ross Chambers (review)
  2. Gerald Prince
  3. pp. 107-108
  4. DOI: 10.1353/esp.1986.0011
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  1. The Conspiracy Novel: Structure and Metaphor in Balzac’s “Comédie humaine” by James W. Mileham (review)
  2. Terese Lyons
  3. pp. 108-109
  4. DOI: 10.1353/esp.1986.0020
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  1. Le Récit impossible by Uri Eisenzweig (review)
  2. John D. Erickson
  3. pp. 110-111
  4. DOI: 10.1353/esp.1986.0029
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