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Table of Contents

  1. Faranca-Algeries ou Djazair-frances? Fractales et mesententes fructueuses
  2. Mireille Rosello
  3. pp. 787-806
  4. DOI: https://doi.org/10.1353/mln.2003.0080
  5. restricted access
  1. Reframing the Colonial Gaze: Photography, Ownership, and Feminist Resistance
  2. Karina Eileraas
  3. pp. 807-840
  4. DOI: https://doi.org/10.1353/mln.2003.0074
  5. restricted access
  1. The "Sensible," the Maternal, and the Ethical Beginnings of Feminist Discourse in Djebar's L'Amour, la fantasia and Loin de Medine
  2. Donald R. Wehrs
  3. pp. 841-866
  4. DOI: https://doi.org/10.1353/mln.2003.0088
  5. restricted access
  1. De Chronique des sept miseres a Biblique des derniers gestes, Patrick Chamoiseau est-il baroque?
  2. Dominique Chance
  3. pp. 867-894
  4. DOI: https://doi.org/10.1353/mln.2003.0070
  5. restricted access
  1. "Toutes ces eaux!": Ecology and Empire in Patrick Chamoiseau's Biblique des derniers gestes
  2. Richard Watts
  3. pp. 895-910
  4. DOI: https://doi.org/10.1353/mln.2003.0087
  5. restricted access
  1. Creole Vernacular Theatre: Transcolonial Translations in Mauritius
  2. Francoise Lionnet
  3. pp. 911-932
  4. DOI: https://doi.org/10.1353/mln.2003.0078
  5. restricted access
  1. Comment j'ai ecrit mes livres (et autres considerations sommaires)
  2. Abdourahman A. Waberi
  3. pp. 933-938
  4. DOI: https://doi.org/10.1353/mln.2003.0083
  5. restricted access
  1. Selection from Transit
  2. Abdourahman A. Waberi, Dominic Richard David Thomas
  3. pp. 946-954
  4. DOI: https://doi.org/10.1353/mln.2003.0084
  5. restricted access
  1. Fashion Matters: La Sape and Vestimentary Codes in Transnational Contexts and Urban Diasporas
  2. Dominic Richard David Thomas
  3. pp. 947-973
  4. DOI: https://doi.org/10.1353/mln.2003.0082
  5. restricted access
  1. Primitivism and Postcolonialism in the Arts
  2. Jean-Loup Amselle, Noal Mellott, Julie van Dam
  3. pp. 974-988
  4. DOI: https://doi.org/10.1353/mln.2003.0069
  5. restricted access
  1. Memory out of Line: Hebrew Etymology in the Roman de Brut and Merlin
  2. Michelle R. Warren
  3. pp. 989-1014
  4. DOI: https://doi.org/10.1353/mln.2003.0085
  5. restricted access
  1. "Tarrying with the Negative": Baudelaire, Mallarme, and the Rhythm of Modernity
  2. Bo Earle
  3. pp. 1015-1042
  4. DOI: https://doi.org/10.1353/mln.2003.0073
  5. restricted access
  1. "Non, non! Si, si!": Commemorating the French Occupation of Egypt (1798-1801)
  2. Elliott Hutchinson Colla
  3. pp. 1043-1069
  4. DOI: https://doi.org/10.1353/mln.2003.0071
  5. restricted access
  1. La Notion ethique d' habitude dans les Essais : articuler l'art et la nature
  2. Francis Goyet
  3. pp. 1070-1091
  4. DOI: https://doi.org/10.1353/mln.2003.0075
  5. restricted access
  1. The Delirium of Praise: Bataille, Blanchot, Deleuze, Foucault, and Klossowski (review)
  2. Michelle Slater
  3. pp. 1092-1095
  4. DOI: https://doi.org/10.1353/mln.2003.0081
  5. restricted access
  1. Death by Drama and Other Medieval Urban Legends (review)
  2. Michael Miers
  3. pp. 1096-1097
  4. DOI: https://doi.org/10.1353/mln.2003.0079
  5. restricted access
  1. L'Orateur sans visage: Essai sur l'acteur romain et son masque (review)
  2. Eve-Alice Roustang-Stoller
  3. pp. 1098-1101
  4. DOI: https://doi.org/10.1353/mln.2003.0089
  5. restricted access
  1. Itineraires du XIXe siecle II (review)
  2. Sonja Hamilton
  3. pp. 1101-1105
  4. DOI: https://doi.org/10.1353/mln.2003.0076
  5. restricted access
  1. Women and the Book Trade in Sixteenth-Century France (review)
  2. Sue Waterman
  3. pp. 1105-1106
  4. DOI: https://doi.org/10.1353/mln.2003.0086
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  1. Introduction
  2. Francoise Lionnet
  3. pp. 783-786
  4. DOI: https://doi.org/10.1353/mln.2003.0077
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  1. Contributors
  3. pp. 1107-1110
  4. DOI: https://doi.org/10.1353/mln.2003.0072
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