1. Color Plates
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  1. Gateway
  2. pp. 263-268
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  1. The Leonardo Gallery
  2. Cynthia Pannucci, Steve Bradley, Doris Vila, Ken Butler, Robert Chambers, Matthew Tanteri, Mary Ziegler
  3. pp. 269-275
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  1. Virtual Reality: Venus Return or Vanishing Point
  2. Kiersta Fricke
  3. pp. 277-278
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  1. Free City and the Art of Memory: The Novel as Artificial Reality
  2. Eric Darton
  3. pp. 279-280
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  1. Theater without Actors—Immersion and Response in Installation
  2. Toni Dove
  3. pp. 281-287
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  1. Huan Shi and Virtual Reality
  2. Nai-Wai Hsu
  3. pp. 289-291
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  1. The Mutant Gene and Tainted Kool-Aid Sideshow
  2. M.R. Petit
  3. pp. 293-296
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  1. Choosing Tools for Virtual Environments
  2. Dan O’Sullivan
  3. pp. 297-302
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  1. Is Anyone There?: A Voice-activated Tour of San Francisco Via Its Pay Telephones
  2. Stephen Wilson, Judy Malloy
  3. p. 303
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  1. Broken Heart (Corazón Roto)
  2. Isaac Victor Kerlow
  3. pp. 303-304
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  1. Readings in Organized Chaos
  2. Max Lanier, Lora McDonald
  3. pp. 304-305
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  1. Acid Migration of Culture
  2. Nora Ligorano, Marshall Reese
  3. pp. 305-306
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  1. Sound and Ceramics
  2. Bart Lynch
  3. p. 306
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  1. Global Displacement Network
  2. Dana Fritz, Larry Gawel
  3. p. 306
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  1. Maouja Menhouta (Sculpted Wave)
  2. Azdine Sedjal
  3. p. 306
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  1. Lagoon Project: San Francisco Exploratorium
  2. Laurie Lundquist
  3. p. 307
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  1. Science Icons: The Visualization of Scientific Truths
  2. Ingrid Kallick-Wakker
  3. pp. 309-315
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  1. Taste and the Greening of Design: The Role of Design Imagery in a Post-Acquisitive Society
  2. Peter Lloyd Jones
  3. pp. 317-325
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  1. The Emotion of Cyberspace: Art and Cyber-ecology
  2. Ollivier Dyens, Susan Knutson
  3. pp. 327-333
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  1. Art History and the Criticism of Computer-Generated Images
  2. James Elkins
  3. pp. 335-342
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  1. Synaesthesia: An Account of Coloured Hearing
  2. John Harrison, Simon Baron-Cohen
  3. pp. 343-346
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  1. Design and Entertainment in the Electronic Age
  2. Ruth E. Iskin
  3. pp. 347-351
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  1. Farewell Prometheus Readings: Light-Music in the Former Soviet Union
  2. Bulat M. Galeyev, Vladimir Chudnovsky
  3. pp. 351-352
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  1. On The Genesis of Symbiosis of Film and Painting: Producing Computer Images of the Development of an Artwork
  2. Johannes Deutsch
  3. pp. 353-354
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  1. TimeTunnel
  2. Ursula Kraft
  3. pp. 354-355
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  1. The Vorkapitchulator
  2. Sheldon Brown
  3. p. 355
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  1. Winke Winke: A Project on the Transmission of Messages
  2. Gerfried Stocker, Horst Hörtner
  3. pp. 355-357
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  1. Hand and Mind: What Gestures Reveal About Thought by David McNeill (review)
  2. Rudolf Arnheim
  3. p. 358
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  1. Spiritual Space: The Religious Architecture of Pietro Belluschi by Meredith L. Clausen (review)
  2. Rudolf Arnheim
  3. pp. 358-359
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  1. Global Networks ed. by Linda Marie Harasim (review)
  2. John Horn
  3. pp. 359-360
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  1. To Infinity and Beyond: A Cultural History of the Infinite by Eli Maor (review)
  2. Roger F. Malina
  3. pp. 360-361
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  1. Les Cheveux de la Réalité by Jacques Mandelbrojt (review)
  2. Michel Mendès France
  3. p. 361
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  1. Mobile Robots: Inspiration to Implementation by Anita Flynn and Joseph Jones (review)
  2. Simon Penny
  3. pp. 361-362
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  1. The Digital Word: Text-Based Computing in the Humanities ed. by George P. Landow and Paul Delany (review)
  2. Richard Ross
  3. pp. 362-363
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  1. Blam! prod. by Necro-Amalgamated (review)
  2. Geoffrey Gaines
  3. p. 363
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  1. Woggles from Oz: Writing Interactive Fiction (review)
  2. Benjamin C. Pierce
  3. pp. 363-364
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  1. Unispace by Living Visions Ensemble (review)
  2. Roger F. Malina
  3. p. 364
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  1. Eternal Network: A Mail Art Anthology ed. by Chuck Welch (review)
  2. pp. 364-365
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  1. Materials Received
  2. pp. 365-366
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