1. Gateway
  2. pp. 91-98
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  1. Information Revolutions
  2. Richard Lowenberg, Judy Malloy
  3. p. 99
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  1. Miradas en el Tempo
  2. Marisa Gonzalez
  3. pp. 99-100
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  1. Arachne-Vanitas
  2. Franziska Megert
  3. p. 100
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  1. Poking at the Environmental Fire
  2. H. Anderson Turner III
  3. pp. 100-101
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  1. Earthview: Looking Down at Ourselves
  2. John D. Mathews, Charles Garoian
  3. pp. 101-102
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  1. Rupture
  2. Gene Cooper
  3. pp. 102-103
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  1. Telepresent Surveillance
  2. Joel A. Slayton
  3. p. 103
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  1. Self-Similar Structures that Amplify Natural Patterns within Paint, and the Feelings They Awaken in the Artist
  2. Robert Steinberg
  3. pp. 105-111
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  1. But Aloud She Said: An Interactive Videodisc Installation
  2. Kiersta Fricke
  3. pp. 113-115
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  1. Data Morphing: Ownership, Copyright and Creation
  2. Curtis E. A. Karnow
  3. pp. 117-122
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  1. Sidelights on Visual Texture
  2. José Luis Caivano
  3. pp. 123-124
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  1. Binarisation Performances: Direct Intervention on the Digital Networks
  2. Bernard Demiaux
  3. pp. 124-125
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  1. Les Miradors De La Paix (The Watchtowers of Peace)
  2. Fred Forest
  3. p. 125
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  1. Computer-Generated Universal Mandalas
  2. Sozo Hashimoto
  3. pp. 125-126
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  1. Technology, Scholarship, and the Humanities: The Implications of Electronic Information
  2. Stanley N. Katz, Eleanor Fink
  3. p. 127
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  1. Technology, Scholarship, and the Humanities: The Implications of Electronic Information
  2. Vartan Gregorian
  3. pp. 129-133
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  1. The Intellectual Implications of Electronic Information
  2. Oleg Grabar
  3. pp. 135-141
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  1. The Professional Implications of Electronic Information
  2. Carolyn C. Lougee
  3. pp. 143-154
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  1. The Implications of Electronic Information for the Sociology of Knowledge
  2. Richard A. Lanham
  3. pp. 155-163
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  1. The Institutional Implications of Electronic Information
  2. William Y. Arms
  3. pp. 165-169
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  1. The Implications of Electronic Information for National Institutions
  2. Lawrence Dowler
  3. pp. 171-178
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