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In this Issue

Table of Contents

  1. Color Plate
  3. restricted access
  1. The Latest Developments in Media Art
  2. Herbert W. Franke
  3. pp. 253-254
  4. restricted access
  1. Nomads
  2. Eduardo Kac
  3. pp. 255-261
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  1. Art Communication Systems
  2. Anna Couey
  3. pp. 263-264
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  1. Art for the Information Age: The in Our Path and ArtFBI Web Sites
  2. Jeff Gates
  3. pp. 264-265
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  1. The Sun Drops Its Torch; Eros INterACTive; Anarchy Partycam
  2. JoAnn Gillerman
  3. pp. 265-267
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  1. An Object Orientation: A Theatrical Reexamination of the Man and Machine Struggle in the Information Age
  2. Timothy O’Brien
  3. pp. 267-268
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  1. Semiotic Cell
  2. Ana Richardson
  3. pp. 268-269
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  1. Artistamps
  2. Patricia Tavenner
  3. pp. 269-270
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  1. Bottega
  2. Fred Truck
  3. p. 270
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  1. Gray Area
  2. Paul DeMarinis
  3. pp. 270-272
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  1. The Feminine, the Hermaphrodite, the Angel: Gender Mutations and Dream Cosmogonies in Multimedia Projection and Installation (1976–1994)
  2. Maria Klonaris, Katerina Thomadaki
  3. pp. 273-282
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  1. Presenting Scientific Concepts with Forms and Methods from Primal Cultures: Mixed Media and Installation Works
  2. Dennis Summers
  3. pp. 283-290
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  1. Bastard Flowers
  2. George Gessert
  3. pp. 291-298
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  1. Reflexivity, Contradiction, Paradox and M. C. Escher
  2. Laurence Goldstein
  3. pp. 299-308
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  1. Printing and Writing
  2. John Sindelar
  3. p. 309
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  1. Shadow’s Doubt
  2. Thomas A. Trombley
  3. p. 310
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  1. Visualization, Cultural Mediation and Dual Creativity
  2. Frank Popper
  3. p. 311
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  1. How Technology Is Transforming the Role of the New York Public Library
  2. Paul LeClerc
  3. pp. 314-315
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  1. Ninety Years of New Uses and Conflicting Rights
  2. Stanley Rothenberg
  3. pp. 315-317
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  1. Art, Electronic Outreach and American Democracy
  2. Elizabeth Broun
  3. pp. 317-318
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  1. The Effects of New Technologies on Independent Film and Video Artists
  2. Timothy Gunn
  3. pp. 319-321
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  1. Summary: Five Solutions to Intellectual Property Issues in a Digital Age
  2. Alan J. Friedman
  3. pp. 321-322
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  1. Summary: The Need for Cooperation among Disciplines—Artists, Presenters, Producers and Distributors
  2. Roger F. Molina
  3. pp. 322-323
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  1. The Annual Bryansk Nicolai Roslavets and Naum Gabo Festival
  2. Mark Efimovich Belodubrovsky
  3. pp. 326-327
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  1. The 1995 Shearwater Foundation Holography Grants
  2. Posy Jackson Smith
  3. pp. 327-328
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  1. A Course on Cognition and Computation of Design at National Chiao Tung University
  2. Yu-Tung Liu
  3. pp. 328-329
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  1. Art and Science Serve Each Other: The Russian Branch of the International Association of Empirical Aesthetics
  2. Vladimir M. Petrov
  3. pp. 329-331
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  1. Creative Design: The Foundation Institute of the Hungarian University of Craft and Design
  2. József Scherer
  3. pp. 331-332
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  1. Shadows: The Depiction of Cast Shadows in Western Art by E. H. Gombrich (review)
  2. Harry Rand
  3. p. 333
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  1. At Home in the Universe: The Search for the Laws of Self-Organization and Complexity by Stuart Kauffman (review)
  2. Roger F. Molina
  3. pp. 333-334
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  1. Correction
  3. p. 336
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  1. A Conference on Intellectual Property Rights and the Arts: The Impact of New Technologies Program and Acknowledgments
  3. pp. 324-325
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  1. Materials Received
  3. pp. 334-335
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