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Table of Contents

  1. Harlem's Queer Dandy: African-American Modernism and the Artifice of Blackness
  2. Elisa F. Glick
  3. pp. 414-442
  4. DOI: https://doi.org/10.1353/mfs.2003.0049
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  1. White Skin, White Mask: Passing, Posing, and Performing in The Great Gatsby
  2. Meredith Goldsmith
  3. pp. 443-468
  4. DOI: https://doi.org/10.1353/mfs.2003.0050
  5. restricted access
  1. Secret Integrations: Black Humor and the Critique of Whiteness
  2. William Solomon
  3. pp. 469-495
  4. DOI: https://doi.org/10.1353/mfs.2003.0054
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  1. Going Home: Hemingway, Primitivism, and Identity
  2. Suzanne Del Gizzo
  3. pp. 496-523
  4. DOI: https://doi.org/10.1353/mfs.2003.0048
  5. restricted access
  1. The Melting Pot That Boiled Over: Racial Fetishism and the Lingua Franca of Jack Kerouac's Fiction
  2. Brendon Nicholls
  3. pp. 524-549
  4. DOI: https://doi.org/10.1353/mfs.2003.0053
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  1. Whispers of Norbury: Sir Arthur Conan Doyle and the Modernist Crisis of Racial (Un)Detection
  2. Jinny Huh
  3. pp. 550-580
  4. DOI: https://doi.org/10.1353/mfs.2003.0052
  5. restricted access
  1. That "Ugly Word": Miscegenation and the Novel in Preapartheid South Africa
  2. Peter Blair
  3. pp. 581-613
  4. DOI: https://doi.org/10.1353/mfs.2003.0045
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  1. Introduction: Racechange and the Fictions of Identity
  2. John N. Duvall, Nancy J. Peterson
  3. pp. 409-413
  4. DOI: https://doi.org/10.1353/mfs.2003.0047
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  1. Minstrelsy's Racechanging Numbers: A Postscript to Racechange and the Fictions of Identity
  2. Susan Gubar
  3. pp. 614-626
  4. DOI: https://doi.org/10.1353/mfs.2003.0051
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  1. Contributors
  3. pp. 627-628
  4. DOI: https://doi.org/10.1353/mfs.2003.0046
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