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From: Comparative Drama

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  Volume 47, Number 3, Fall 2013

Table of Contents

Articles

Performing the Aging Self in Hugh Leonard's "Da" and Brian Friel's Dancing at Lughnasa

pp. 285-308 | DOI: 10.1353/cdr.2013.0039
Valerie Barnes Lipscomb
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Role and Freedom in Calderón's The Great Theater of the World

pp. 309-342 | DOI: 10.1353/cdr.2013.0029
Gerhard Poppenberg
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Reimaginations of "America" and Cultural Identity in the Expatriate Drama of Koffi Kwahulé

pp. 343-366 | DOI: 10.1353/cdr.2013.0031
Les Essif
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Conflict, Carnage, and Cats: Toward a Comic Cú Chulainn in Martin McDonagh's The Lieutenant of Inishmore

pp. 367-392 | DOI: 10.1353/cdr.2013.0033
A. J. Knox
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Reviews

"The Farce of the Fart" and Other Ribaldries: Twelve Medieval French Plays in Modern English by Jody Enders (review)

pp. 393-396 | DOI: 10.1353/cdr.2013.0035
Noah D. Guynn
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Shakespeare Among the Courtesans: Prostitution, Literature, and Drama, 1500-1650 by Duncan Salkeld (review)

pp. 396-399 | DOI: 10.1353/cdr.2013.0037
Theresa D. Kemp
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Drama and the Transfer of Power in Renaissance England by Martin Wiggins (review)

pp. 400-402 | DOI: 10.1353/cdr.2013.0038
Adam Zucker
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Faith in Shakespeare by Richard C. McCoy (review)

pp. 403-406 | DOI: 10.1353/cdr.2013.0040
Jennifer C. Vaught
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Illustrating Shakespeare by Peter Whitfield (review)

pp. 406-409 | DOI: 10.1353/cdr.2013.0030
Alan R. Young
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Shakespeare in Company by Bart Van Es (review)

pp. 410-413 | DOI: 10.1353/cdr.2013.0032
Tim Fitzpatrick
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Ludics in Surrealist Theatre and Beyond by Vassiliki Rapti (review)

pp. 413-416 | DOI: 10.1353/cdr.2013.0034
Pierre Taminiaux
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Contributors

pp. 417-418 | DOI: 10.1353/cdr.2013.0036
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Research Areas

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