Volume 53, Number 1, Fall 2013

Table of Contents

Diegetic Withdrawal and Other Worlds: Film Music Strategies before King Kong, 1927–1933

pp. 1-25
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Uruguay Disappears: Small Cinemas, Control Z Films, and the Aesthetics and Politics of Auto-Erasure

pp. 26-51
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Jazzing in the Tokyo Slum: Music, Influence, and Censorship in Akira Kurosawa’s Drunken Angel

pp. 52-74
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Fast and Bilingual: Fast & Furious and the Latinization of Racelessness

pp. 75-96
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Original Copies: How Film and Video Became Art Objects

pp. 97-118
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In Focus: Gender and Labor in Recession-Era Media and Media Studies

pp. 119-122
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Book Reviews: Women's Caucus

Gender Bifurcation in the Recession Economy: Extreme Couponing and Gold Rush Alaska

pp. 123-129
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Demoting Women on the Screen and in the Board Room

pp. 130-136
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Distribution Is Queen: LGBTQ Media on Demand

pp. 137-144
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Reading between the Lines: Gender and Viral Marketing

pp. 144-149
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Working in the Holes: A Third-Wave Feminist Filmmaker’s Take on Labor

pp. 150-156
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Toward Networked Feminist Scholarship: Mindful Media, Participatory Learning, and Distributed Authorship in the Digital Economy

pp. 156-163
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Contributors

pp. 163-164
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Neo-Feminist Cinema: Girly Films, Chick Flicks, and Consumer Culture by Hilary Radner (review)

pp. 165-170
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Chinese Women’s Cinema: Transnational Contexts ed. by Lingzhen Wang (review)

pp. 170-174
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Scripted Affects, Branded Selves: Television, Subjectivity, and Capitalism in 1990s Japan by Gabriella Lukács (review)

pp. 175-179
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The Place of Breath in Cinema by Davina Quinlivan (review)

pp. 180-184
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Performing American Masculinities: The 21st-Century Man in Popular Culture ed. by Elwood Watson and Marc E. Shaw (review)

pp. 184-188
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Contributors

p. 189
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Forthcoming

p. 206
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