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Browse Book and Journal Content on Project MUSE

  Volume 53, Number 1, Fall 2013

Table of Contents

Diegetic Withdrawal and Other Worlds: Film Music Strategies before King Kong, 1927–1933

pp. 1-25 | DOI: 10.1353/cj.2013.0061

Uruguay Disappears: Small Cinemas, Control Z Films, and the Aesthetics and Politics of Auto-Erasure

pp. 26-51 | DOI: 10.1353/cj.2013.0064

Jazzing in the Tokyo Slum: Music, Influence, and Censorship in Akira Kurosawa’s Drunken Angel

pp. 52-74 | DOI: 10.1353/cj.2013.0067

Fast and Bilingual: Fast & Furious and the Latinization of Racelessness

pp. 75-96 | DOI: 10.1353/cj.2013.0070

Original Copies: How Film and Video Became Art Objects

pp. 97-118 | DOI: 10.1353/cj.2013.0054

In Focus: Gender and Labor in Recession-Era Media and Media Studies

pp. 119-122 | DOI: 10.1353/cj.2013.0057

Book Reviews: Women's Caucus

Gender Bifurcation in the Recession Economy: Extreme Couponing and Gold Rush Alaska

pp. 123-129 | DOI: 10.1353/cj.2013.0060

Demoting Women on the Screen and in the Board Room

pp. 130-136 | DOI: 10.1353/cj.2013.0063

Distribution Is Queen: LGBTQ Media on Demand

pp. 137-144 | DOI: 10.1353/cj.2013.0066

Reading between the Lines: Gender and Viral Marketing

pp. 144-149 | DOI: 10.1353/cj.2013.0069

Working in the Holes: A Third-Wave Feminist Filmmaker’s Take on Labor

pp. 150-156 | DOI: 10.1353/cj.2013.0053

Toward Networked Feminist Scholarship: Mindful Media, Participatory Learning, and Distributed Authorship in the Digital Economy

pp. 156-163 | DOI: 10.1353/cj.2013.0056


pp. 163-164 | DOI: 10.1353/cj.2013.0072

Neo-Feminist Cinema: Girly Films, Chick Flicks, and Consumer Culture by Hilary Radner (review)

pp. 165-170 | DOI: 10.1353/cj.2013.0059

Chinese Women’s Cinema: Transnational Contexts ed. by Lingzhen Wang (review)

pp. 170-174 | DOI: 10.1353/cj.2013.0062

Scripted Affects, Branded Selves: Television, Subjectivity, and Capitalism in 1990s Japan by Gabriella Lukács (review)

pp. 175-179 | DOI: 10.1353/cj.2013.0065

The Place of Breath in Cinema by Davina Quinlivan (review)

pp. 180-184 | DOI: 10.1353/cj.2013.0068

Performing American Masculinities: The 21st-Century Man in Popular Culture ed. by Elwood Watson and Marc E. Shaw (review)

pp. 184-188 | DOI: 10.1353/cj.2013.0071


p. 189 | DOI: 10.1353/cj.2013.0055


p. 206 | DOI: 10.1353/cj.2013.0058

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