restricted access   Volume 30, Number 2, Fall 2013

Table of Contents

Color Insert

pp. Color Insert 1-Color Insert 7

From the Editor

pp. iii-v

In Memoriam

A Kabuki Innovator, Nakamura Kanzaburō XVIII, Dies Too Young: Where Does Kabuki Go from Here?

pp. 267-270

Symposium: Founders of the Field II

Founders of the Field II: Introduction

pp. 271-275

Richard Schechner

pp. 276-294

Farley Richmond

pp. 295-308

Daniel S. P. Yang

pp. 309-322

I Made Bandem

pp. 323-335

David Goodman

pp. 336-348

Benito Ortolani

pp. 349-357

Some Personal Recollections of Benito Ortolani

pp. 358-359


The “Broken” and the “Breakthroughs”: Acting in Jingju Model Plays of China’s Cultural Revolution

pp. 360-389

Enchanting the Audience: Dramatic Devices of Sakura Mask Theatre in West Lampung, Sumatra

pp. 390-414

The Silenced Body of The Silent Soprano: The Overseas Filipino Worker as Silent and Erased in a Global City

pp. 415-444

Hakka Female Identity in Postcolonial Taiwan: The Shigang Mama Theatre Group and Images of Hakka Women

pp. 445-465

Late Muromachi and Furyū Nō: Two Plays by Kanze Nagatoshi

pp. 466-485


An Interview with Mangai

pp. 486-505


Anthologizing Indonesian Popular Theatre

pp. 506-519

Tibet Performance, Past and Present: Multidisciplinary Avenues of Research

pp. 520-525

Performance Reviews

The Next by Hands Percussion (review)

pp. 526-532

Lear Dreaming (review)

pp. 532-538

Magic Mirror: The Musical (review)

pp. 538-544

Book Reviews

Théâtre d’Asie à l’oeuvre. Circulation, Expression, Politique ed. by Hélène Bouvier, Gérard Toffin, and Gérard Toffin (review)

pp. 545-547

Tokyo Theatre Today: Conversations with Eight Emerging Theatre Artists by Iwaki Kyoko (review)

pp. 547-549

Japanese Theatre Transcultural: German and Italian Interweavings ed. by Stanca Scholz-Cionca and Andreas Regelsberger (review)

pp. 549-553

Seven Contemporary Plays for the Korean Diaspora in the Americas ed. by Esther Kim Lee (review)

pp. 553-556