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  Volume 65, Number 3, October 2013

Table of Contents

Editorial Comment: Interspecies Performance

pp. i-v

Special Issue Essays

Bug Bytes: Insects, Information, and Interspecies Theatricality

pp. 321-334

Playing with Plants

pp. 335-353

Game Stallions and Other “Horseface Minstrelsies” of the American Turf

pp. 355-372

Animal Ontologies and Media Representations: Robotics, Puppets, and the Real of War Horse

pp. 373-393

Performance Reviews

The Whale by Samuel D. Hunter (review)

pp. 395-397

The Bachelors’ Tea Party by Kiran Rikhye (review)

pp. 397-398

Marie Antoinette by David Adjmi (review)

pp. 398-400

Seinendan Theater Company + Osaka University Robot Theater Project Written and directed by Oriza Hirata (review)

pp. 400-402

La Casa De Los Espíritus (The House of the Spirits) by Caridad Svich (review)

pp. 402-404

Our Class by Tadeusz Słobodzianek (review)

pp. 404-406

The Boys of Foley Street by ANU Productions (review)

pp. 406-408

Holding the Man by Tommy Murphy (review)

pp. 408-410

Wasteland by Susan Felder (review)

pp. 410-412

By The Way, Meet Vera Stark by Lynn Nottage (review)

pp. 412-414

House For Sale by Jonathan Franzen (review)

pp. 414-416

Edward Albee’s Who’s Afraid of Virginia Woolf? by Edward Albee (review)

pp. 416-417

Brewed by Scott T. Barsotti (review)

pp. 418-420

Book Reviews

Media, Technology, and Performance

pp. 421-432

Wild and Dangerous Performances: Animals, Emotions, Circus by Peta Tait (review)

pp. 433-434

Circus and the City: New York, 1793–2010 by Matthew Wittmann, and: The American Circus ed. by Susan Weber, Kenneth L. Ames, and Matthew Wittmann (review)

pp. 434-435

Puppet: An Essay on Uncanny Life by Kenneth Gross (review)

pp. 435-437

Performing Presence: Between the Live and the Simulated by Gabriella Giannachi and Nick Kaye, and: Archaeologies of Presence: Art, Performance and the Persistence of Being ed. by Gabriella Giannachi, Nick Kaye, and Michael Shanks (review)

pp. 437-438

Enacting History ed. by Scott Magelssen and Rhona Justice-Malloy (review)

pp. 438-440

Inner Theatres of Good and Evil: The Mind’s Staging of Gods, Angels and Devils by Mark Pizzato (review)

pp. 440-441

Evolving Hamlet: Seventeenth-Century English Tragedy and the Ethics of Natural Selection by Angus Fletcher (review)

pp. 441-442

Choreographing Empathy: Kinesthesia in Performance by Susan Leigh Foster (review)

pp. 442-444

Contemporary Indian Dance: New Creative Choreography in India and the Diaspora by Ketu H. Katrak (review)

pp. 444-445

Aloha America: Hula Circuits Through the U.S. Empire by Adria L. Imada (review)

pp. 445-447

Show Boat: Performing Race in an American Musical by Todd Decker (review)

pp. 447-448

Staging the People: Community and Identity in the Federal Theatre Project by Elizabeth A. Osborne (review)

pp. 448-449

Acts of Gaiety: LGBT Performance and the Politics of Pleasure by Sara Warner (review)

pp. 450-451

Lives in Play: Autobiography and Biography on the Feminist Stage by Ryan Claycomb (review)

pp. 451-452

Social Works: Performing Art, Supporting Publics by Shannon Jackson (review)

pp. 452-454

Books Received

pp. 455-464

Research Areas


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