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Table of Contents

  1. Seamus Heaney’s “Du Bellay in Rome”
  2. Paul Muldoon
  3. p. 6
  4. DOI: https://doi.org/10.1353/ner.2013.0057
  5. restricted access
  1. Du Bellay in Rome
  2. Seamus Heaney
  3. p. 7
  4. DOI: https://doi.org/10.1353/ner.2013.0061
  5. restricted access
  1. A Theory of the Self
  2. Norman Lock
  3. pp. 8-16
  4. DOI: https://doi.org/10.1353/ner.2013.0065
  5. restricted access
  1. Nor’easter
  2. Cody Heartz
  3. pp. 17-18
  4. DOI: https://doi.org/10.1353/ner.2013.0069
  5. restricted access
  1. Three Marriages
  2. Emily Mitchell
  3. pp. 19-31
  4. DOI: https://doi.org/10.1353/ner.2013.0073
  5. restricted access
  1. Green, and Nine Herbs, and The Owls
  2. Laura Kasischke
  3. pp. 32-36
  4. DOI: https://doi.org/10.1353/ner.2013.0076
  5. restricted access
  1. Little Girl’s Point
  2. Amanda Haag
  3. pp. 37-50
  4. DOI: https://doi.org/10.1353/ner.2013.0055
  5. restricted access
  1. from Sea of Hooks
  2. Lindsay Hill
  3. pp. 51-57
  4. DOI: https://doi.org/10.1353/ner.2013.0059
  5. restricted access
  1. From Venice to Tipperary
  2. Richard Tillinghast
  3. pp. 58-76
  4. DOI: https://doi.org/10.1353/ner.2013.0063
  5. restricted access
  1. The Point of the Needle
  2. Dana Levin
  3. pp. 77-78
  4. DOI: https://doi.org/10.1353/ner.2013.0067
  5. restricted access
  1. Near Encounters with Elizabeth Bishop
  2. George Monteiro
  3. pp. 79-86
  4. DOI: https://doi.org/10.1353/ner.2013.0071
  5. restricted access
  1. Confessions of a (Six-) Figure Painter
  2. Peter Plagens
  3. pp. 87-93
  4. DOI: https://doi.org/10.1353/ner.2013.0075
  5. restricted access
  1. The Damascus Players
  2. T. L. Khleif
  3. pp. 94-118
  4. DOI: https://doi.org/10.1353/ner.2013.0078
  5. restricted access
  1. Quae Nocent Saepe Docent, and Notes on the Oracle
  2. Ross White
  3. pp. 119-122
  4. DOI: https://doi.org/10.1353/ner.2013.0058
  5. restricted access
  1. Putin Cracks Down: The Russian Presidential Election and Its Aftermath
  2. Ellen Hinsey
  3. pp. 123-141
  4. DOI: https://doi.org/10.1353/ner.2013.0062
  5. restricted access
  1. Chalk Line
  2. David Wojahn
  3. pp. 142-144
  4. DOI: https://doi.org/10.1353/ner.2013.0066
  5. restricted access
  1. Rough
  2. Caitlin Hayes
  3. pp. 145-151
  4. DOI: https://doi.org/10.1353/ner.2013.0070
  5. restricted access
  1. It’s New Year’s Eve, and This Is Dubai
  2. Marian Crotty
  3. pp. 152-165
  4. DOI: https://doi.org/10.1353/ner.2013.0074
  5. restricted access
  1. Grief!
  2. Mark Bibbins
  3. p. 166
  4. DOI: https://doi.org/10.1353/ner.2013.0077
  5. restricted access
  1. Arrogance
  2. Megan Staffel
  3. pp. 167-171
  4. DOI: https://doi.org/10.1353/ner.2013.0056
  5. restricted access
  1. Britten’s Last Major Work and the Echoes of Death in Venice
  2. Greg Vitercik
  3. pp. 172-174
  4. DOI: https://doi.org/10.1353/ner.2013.0060
  5. restricted access
  1. Cochran
  2. Stephen Dixon
  3. pp. 175-180
  4. DOI: https://doi.org/10.1353/ner.2013.0064
  5. restricted access
  1. Napoleon’s Nightmare
  2. Constant
  3. pp. 181-186
  4. DOI: https://doi.org/10.1353/ner.2013.0068
  5. restricted access
  1. Contributors’ Notes
  3. pp. 187-190
  4. DOI: https://doi.org/10.1353/ner.2013.0072
  5. restricted access