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  Volume 54, Number 2, Fall 2013

Table of Contents


pp. 127-128 | DOI: 10.1353/frm.2013.0024

DOSSIER: Early Cinema in South Asia: The Problem of the Archive


pp. 129-135 | DOI: 10.1353/frm.2013.0027

What Is “Early” Cinema?

pp. 136-139 | DOI: 10.1353/frm.2013.0015

Early Cinema in South Asia: The Place of Technology in Narratives of Its Emergence

pp. 140-145 | DOI: 10.1353/frm.2013.0017

Melodrama as Method

pp. 146-151 | DOI: 10.1353/frm.2013.0019

On Scavenging and Salvaging: NFAI and Early Indian Cinema

pp. 152-157 | DOI: 10.1353/frm.2013.0021


Culture Counts

pp. 159-160 | DOI: 10.1353/frm.2013.0023

DOSSIER: Cinema as Timepiece: Critical Perspectives on The Clock


pp. 161-176 | DOI: 10.1353/frm.2013.0026

Around The Clock: Museum and Market

pp. 177-191 | DOI: 10.1353/frm.2013.0028

Firing at the Clocks: Cinema, Sampling, and the Cultural Logic of the Late Capitalist Artwork

pp. 192-207 | DOI: 10.1353/frm.2013.0016

On The Clock and Christian Marclay’s Instrumental Logic of Appropriation

pp. 208-225 | DOI: 10.1353/frm.2013.0018

The Clock: Gesture and Cinematic Replaying

pp. 226-242 | DOI: 10.1353/frm.2013.0020

Archival Cinephilia in The Clock

pp. 243-258 | DOI: 10.1353/frm.2013.0022

DOSSIER: Conversations on the Avant-Doc

Conversations on the Avant-Doc: Scott MacDonald Interviews

pp. 259-330 | DOI: 10.1353/frm.2013.0025

Research Areas


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