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  Volume 54, Number 2, Fall 2013

Table of Contents

Editorial

pp. 127-128
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DOSSIER: Early Cinema in South Asia: The Problem of the Archive

Introduction

pp. 129-135
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What Is “Early” Cinema?

pp. 136-139
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Early Cinema in South Asia: The Place of Technology in Narratives of Its Emergence

pp. 140-145
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Melodrama as Method

pp. 146-151
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On Scavenging and Salvaging: NFAI and Early Indian Cinema

pp. 152-157
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Essay

Culture Counts

pp. 159-160
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DOSSIER: Cinema as Timepiece: Critical Perspectives on The Clock

Introduction

pp. 161-176
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Around The Clock: Museum and Market

pp. 177-191
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Firing at the Clocks: Cinema, Sampling, and the Cultural Logic of the Late Capitalist Artwork

pp. 192-207
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On The Clock and Christian Marclay’s Instrumental Logic of Appropriation

pp. 208-225
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The Clock: Gesture and Cinematic Replaying

pp. 226-242
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Archival Cinephilia in The Clock

pp. 243-258
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DOSSIER: Conversations on the Avant-Doc

Conversations on the Avant-Doc: Scott MacDonald Interviews

pp. 259-330
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Research Areas

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