1. Real Time/Zero Time
  2. Tung-Hui Hu
  3. pp. 163-184
  4. restricted access View | Download |
  1. Movements of the Soul: Traversing Animism, Fetishism, and the Uncanny
  2. Spyros Papapetros
  3. pp. 185-208
  4. restricted access View | Download |
  1. The Disembodied Wound of The Piano Tuner of Earthquakes: The Quay Brothers’ “Homage to Chris Marker”
  2. Rebecca A. Sheehan
  3. pp. 209-229
  4. restricted access View | Download |
  1. Media Archipelagos: Inter-Asian Film Festivals
  2. Joshua Neves
  3. pp. 230-239
  4. restricted access View | Download |
  1. Said’s Marxism: Orientalism’s Relationship to Film Studies and Race
  2. Gerald Sim
  3. pp. 240-262
  4. restricted access View | Download |
  1. Retheorizing Comedic and Political Discourse, or What Do Jon Stewart and Charlie Chaplin Have in Common?
  2. Rob King
  3. pp. 263-289
  4. restricted access View | Download |
  1. Following the Impossible Road to Female Passion: Psychoanalysis, the Mundane, and the Films of Jane Campion
  2. Hilary Neroni
  3. pp. 290-310
  4. restricted access View | Download |
  1. Weariness, Waiting: Enduration and Art Cinema’s Tired Bodies
  2. Elena Gorfinkel
  3. pp. 311-347
  4. restricted access View | Download |
  1. Logistics, Death, and Virtual Media
  2. Annie Manion
  3. pp. 348-351
  4. restricted access View | Download |
  1. De-Imperializing Cultural Studies: “Asian Studies in Asia”
  2. Sandra So Hee Chi Kim
  3. pp. 352-356
  4. restricted access View | Download |
  1. Contributors
  2. pp. 357-359
  3. restricted access View | Download |