1. Bruised and Confused: Helen Morgan and the Limits of Pathos
  2. Amy Lawrence
  3. pp. 1-31
  4. restricted access View | Download |
  1. The Metamorphosis of Maciste in Italian Silent Cinema
  2. Jacqueline Reich
  3. pp. 32-56
  4. restricted access View | Download |
  1. D. W. Griffith’s Intolerance: Revisiting a Reconstructed Text
  2. Gillian B. Anderson
  3. pp. 57-89
  4. restricted access View | Download |
  1. Examining Ethnic Exhibition: The Success of Scandinavian-Language Films at Chicago’s Julian Theater in the 1930s
  2. J. Brandon Colvin
  3. pp. 90-125
  4. restricted access View | Download |
  1. Severed Objects: Spellbound, Archives, Exhibitions, and Film’s Material History
  2. Paul Gansky
  3. pp. 126-148
  4. restricted access View | Download |
  1. The Films Division of India, 1948–1964: The Early Days and the Influence of the British Documentary Film Tradition
  2. Camille Deprez
  3. pp. 149-173
  4. restricted access View | Download |
  1. Contributors
  2. pp. 174-175
  3. restricted access View | Download |