restricted access   Volume 9, Number 2, Fall 2013

Table of Contents

Editor’s Column

pp. 5-6


Not Quite Letting Go: Rethinking the “tragic sense of life” in Roth’s First Novel

pp. 7-22

Father Knows Best: Manhood In David Bradley and Philip Roth

pp. 23-43

The Pilot against America: Stamps, Airmail, and History in The Plot Against America

pp. 45-55

You Know Nothing of My Work: (Mis)Reading Philip Roth and Woody Allen

pp. 57-70

How to Forgive, and Whom: Roth’s Nemesis and Moby-Dick

pp. 71-76

Exit Shoah: Amy Bellette and Fading Cultural Memory in Exit Ghost

pp. 77-83

Fury Meets and Greets Sabbath’s Theater: Salman Rushdie’s Homage to Philip Roth

pp. 85-90

Book Reviews

Philip Roth by Hermione Lee (review)

pp. 91-93

Corpus Rothi: Une lecture de Philip Roth by Steven Sampson, and: Corpus Rothi II: Le Philip Roth tardif, de Pastorale américaine à Némésis by Steven Sampson (review)

pp. 93-95

Jewish Jocks: An Unorthodox Hall of Fame ed. by Franklin Foer and Marc Tracy (review)

pp. 95-97

The Prestige of Violence: American Fiction, 1962–2007 by Sally Bachner (review)

pp. 97-99

Clearly Invisible Racial Passing and the Color of Cultural Identity by Marcia Alesan Dawkins, and: The Souls of Mixed Folk: Race, Politics and Aesthetics in the New Millennium by Michele Elam (review)

pp. 99-103

Annual Bibliography of Philip Roth Criticism and Resources—2012

pp. 105-108


pp. 109-111