restricted access   Volume 34, Number 2, 2013

Table of Contents

Editor’s Foreword

pp. v-viii


Who Does Little but Listen: Playing O’Neill’s Hughie

pp. 145-166

Desire beyond the Château d’If: Eugene O’Neill and the Fortunes of Monte Cristo

pp. 167-182

Memory and Guilt: Parenting in Tracy Letts’s August: Osage County and Eugene O’Neill’s Long Day’s Journey Into Night

pp. 183-197

O’Neill, Cognition, and the Common Core Standards

pp. 198-226

My Transformation through the O’Neill Society

pp. 227-232

“That goes for Sweeny”: Jamie Tyrone’s Slang Phrase from Act 4 of Long Day’s Journey Into Night

pp. 233-235

Tribute: Frederick Charles Wilkins (1935–2013)

pp. 236-252

Book Reviews

Eugene O'Neill's One-Act Plays: New Critical Perspectives ed. by Michael Y. Bennett and Benjamin D. Carson (review)

pp. 253-256

Critical Insights: Eugene O’Neill ed. by Steven F. Bloom (review)

pp. 257-260

Performance Reviews

Foreword: Performance Reviews

pp. 261-262

More Stately Mansions dir. by Eric Fraisher Hayes (review)

pp. 263-265

Hughie dir. by Doug Hughes (review)

pp. 266-268

Long Day’s Journey Into Night dir. by Nathaniel Swift (review)

pp. 269-272

Long Day’s Journey Into Night dir. by Joe Dowling (review)

pp. 273-275

The Emperor Jones dir. by Lois Elswick (review)

pp. 276-279

Notes on Contributors

pp. 280-283