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  Volume 26, Number 3, Summer 2003

Table of Contents

From: Callaloo

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Calls for Papers

pp. 932-934 | DOI: 10.1353/cal.2003.0081



p. 707 | DOI: 10.1353/cal.2003.0068

Strange Fruit

p. 708 | DOI: 10.1353/cal.2003.0069


pp. 565-576 | DOI: 10.1353/cal.2003.0070


p. 691 | DOI: 10.1353/cal.2003.0074


p. 692 | DOI: 10.1353/cal.2003.0075

Like Father

p. 693 | DOI: 10.1353/cal.2003.0076

Letter to Kermit from the Swamp

p. 694 | DOI: 10.1353/cal.2003.0077

The Sublime

p. 593 | DOI: 10.1353/cal.2003.0079


p. 594 | DOI: 10.1353/cal.2003.0080

Tennis Match

p. 629 | DOI: 10.1353/cal.2003.0084

Emmett, I Said Wait

pp. 630-634 | DOI: 10.1353/cal.2003.0085

The Glass Eater

pp. 729-730 | DOI: 10.1353/cal.2003.0107

The Chanteuse

pp. 580-581 | DOI: 10.1353/cal.2003.0109

The Frame

pp. 582-583 | DOI: 10.1353/cal.2003.0110

The Gamble

pp. 587-589 | DOI: 10.1353/cal.2003.0113

The Game

pp. 585-586 | DOI: 10.1353/cal.2003.0112


pp. 577-579 | DOI: 10.1353/cal.2003.0108


p. 584 | DOI: 10.1353/cal.2003.0111



pp. 622-628 | DOI: 10.1353/cal.2003.0095

I Got Somebody in Staunton

pp. 595-606 | DOI: 10.1353/cal.2003.0097

Clay, 1932

pp. 662-669 | DOI: 10.1353/cal.2003.0098


The Last Regionalist? An Interview with Ernest J. Gaines

pp. 549-564 | DOI: 10.1353/cal.2003.0087

What Saves Us: An Interview with Wanda Coleman

pp. 635-661 | DOI: 10.1353/cal.2003.0082

Reasoning with Professor Robert A. Hill

pp. 695-706 | DOI: 10.1353/cal.2003.0089

from The Storyteller's Art: A Literary Conversation

pp. 709-719 | DOI: 10.1353/cal.2003.0091

Dub and Difference: A Conversation with Jean "Binta" Breeze

pp. 607-613 | DOI: 10.1353/cal.2003.0072


Trans-American Constructions of Black Masculinity: Dany Laferriere, le Negre, and the Late Capitalist American Racial machine-desirante

pp. 867-900 | DOI: 10.1353/cal.2003.0071

Melodramas of Beset Black Manhood? Meditations on African-American Masculinity as Scholarly Topos and Social Menace: An Introduction

pp. 732-737 | DOI: 10.1353/cal.2003.0078

Freudian Knot or Gordian Knot? The Contradictions of Racialized Masculinity in Chester Himes' If He Hollers Let Him Go

pp. 766-795 | DOI: 10.1353/cal.2003.0073

Fire and Ink: Toward a Quest for Language, History, and a Moral Imagination

pp. 614-621 | DOI: 10.1353/cal.2003.0088

from Stop Dat Moda: A Canvas of Colors or Elevating the Culture

pp. 720-728 | DOI: 10.1353/cal.2003.0090

To Love and Be Loved: Considering Black Masculinity and the Misandric Impulse in Toni Morrison's Beloved

pp. 836-854 | DOI: 10.1353/cal.2003.0092

Visuality and Black Masculinity in Ralph Ellison's Invisible Man and Romare Bearden's Photomontages

pp. 813-835 | DOI: 10.1353/cal.2003.0094

Howard Arthur Tibbs, 1919-1986: A Tuskegee Airman's Story in Pictures

pp. 670-690 | DOI: 10.1353/cal.2003.0096

W.E.B. Du Bois and the Dandy as Diasporic Race Man

pp. 738-765 | DOI: 10.1353/cal.2003.0099


pp. 590-592 | DOI: 10.1353/cal.2003.0101

Flaying Dutchman: Masochism, Minstrelsy, and the Gender Politics of Amiri Baraka's Dutchman

pp. 796-812 | DOI: 10.1353/cal.2003.0102

"Will the big boys finally love you": The Impossibility of Black Male Homoerotic Desire and the Taboo of Black Homosexual Solidarity in Thomas Glave's "Whose Song?"

pp. 855-866 | DOI: 10.1353/cal.2003.0105


Chewed Water (review)

pp. 917-920 | DOI: 10.1353/cal.2003.0086

Returning the Gaze: A Genealogy of Black Film Criticism, 1909-1949 (review)

pp. 923-926 | DOI: 10.1353/cal.2003.0093

Black Gay Man: Essays (review)

pp. 906-908 | DOI: 10.1353/cal.2003.0100

Remembering Jim Crow: African Americans Tell About Life in the Segregated South (review)

pp. 901-906 | DOI: 10.1353/cal.2003.0103

Gay Rebel of the Harlem Renaissance: Selections from the Work of Richard Bruce Nugent (review)

pp. 908-913 | DOI: 10.1353/cal.2003.0104

At the Full and Change of the Moon (review)

pp. 913-917 | DOI: 10.1353/cal.2003.0106

Impossible Witness: Truth, Abolitionism, and Slave Testimony (review)

pp. 920-923 | DOI: 10.1353/cal.2003.0114


pp. 927-931 | DOI: 10.1353/cal.2003.0083