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Table of Contents

  1. Unveiling Euripides
  2. Melinda Powers
  3. pp. 5-19
  4. DOI: https://doi.org/10.1353/dtc.2009.0007
  5. restricted access
  1. On Mimesis (and Truth) in Performance
  2. Jon Erickson
  3. pp. 21-38
  4. DOI: https://doi.org/10.1353/dtc.2009.0010
  5. restricted access
  1. Shifting South Korean Theatre: Jo-Yeol Park’s A Dialogue Between Two Long-necked People and Taesuk Oh’s Chunpung’s Wife
  2. Kyounghye Kwon
  3. pp. 47-65
  4. DOI: https://doi.org/10.1353/dtc.2009.0000
  5. restricted access
  1. Glocality, Byzantine Style: A Study in Pre-Electronic Culture
  2. Andrew W. White
  3. pp. 67-76
  4. DOI: https://doi.org/10.1353/dtc.2009.0002
  5. restricted access
  1. Theatrical Nationalism: Exposing the “Obscene Superego” of the System
  2. Steve Wilmer
  3. pp. 77-87
  4. DOI: https://doi.org/10.1353/dtc.2009.0004
  5. restricted access
  1. Gray Zone Theatre Dissidence: Rethinking Revolution through the Enactment of Civil Society
  2. Dennis C. Beck
  3. pp. 89-109
  4. DOI: https://doi.org/10.1353/dtc.2009.0006
  5. restricted access
  1. David Viñas’s Theory of Grotesco and the Glocal Scene of Habitus Production
  2. Milton Loayza
  3. pp. 111-130
  4. DOI: https://doi.org/10.1353/dtc.2009.0009
  5. restricted access
  1. A Critique of Yorùbá Judgment: Non-Western Performance Aesthetics and the Development of the Nigerian Stage
  2. Glenn Odom
  3. pp. 131-146
  4. DOI: https://doi.org/10.1353/dtc.2009.0013
  5. restricted access
  1. Between “Glocal-locality” and “Subversive Affirmation” Introduction to a Special Section on Glocal Dramatic Theories
  2. Evan Darwin Winet
  3. pp. 41-45
  4. DOI: https://doi.org/10.1353/dtc.2009.0014
  5. restricted access