1. Wozu Dichter
  2. Jean-Luc Nancy
  3. pp. 9-14
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  1. Wasen: On Celan’s “Todtnauberg”
  2. Werner Hamacher, Heidi Hart
  3. pp. 15-54
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  1. A Surfeit in Thinking: Kant’s Aesthetic Ideas
  2. Michel Chaouli
  3. pp. 55-77
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  1. What Thinking Feels Like
  2. Paul North
  3. pp. 78-102
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  1. The Appearance of the Ideal of Philosophical Questioning in the Work of Art
  2. Eli Friedlander
  3. pp. 103-116
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  1. Rethinking the Image: with some reflections on G. M. Hopkins
  2. Pfau Thomas
  3. pp. 117-147
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  1. Developing the Image: Poiesis and the Viewer in the photography of Edward Weston and the Painting of Alexi Worth
  2. Lance Duerfahrd
  3. pp. 148-166
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  1. Poetry in Cinematography
  2. Karla Oeler
  3. pp. 167-187
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  1. The Origins of Wen in The Chinese Tradition: Proceeding from The analogy between The ‘Pattern of Heaven’ and The ‘Pattern of Humans’
  2. Emily Sun, Yu-Yu Cheng
  3. pp. 189-212
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  1. Doing Time: Shakespeare’s Weasel, Chao-Chou’s Dog, and the Melancholy Lyric
  2. Lisa Myōbun Freinkel
  3. pp. 213-229
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  1. Approaching Death: Accident, Citation, And Singularity in Montaigne’s De L’Exercitation
  2. Johannes Türk
  3. pp. 230-239
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  1. Of Sacred Names
  2. Daniel Heller-Roazen
  3. pp. 240-251
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  1. The Politics of Appropriation: Writing, Responsibility, and the Specter of the Native Informant
  2. Sharareh Frouzesh
  3. pp. 252-268
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  1. Euro(tro)pology: Philology, World Literature, and the Legacy of Erich Auerbach
  2. Veli N. Yashin
  3. pp. 269-290
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  1. The Drama of Thinking: By Way of an Introduction
  2. Eyal Peretz
  3. pp. 1-8
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  1. Notes on the Contributors
  3. pp. 291-295
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