1. Image
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  1. Let us refuse the world of those who
  2. Eric Baudelaire
  3. pp. 2-3
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  1. No More Theatre PhDs?
  2. Richard Schechner
  3. pp. 7-8
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  1. Scalar Meets TDR
  2. p. 8
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  1. Social Performance Studies: Discipline vs. Freedom
  2. Faye C. Fei, William H. Sun
  3. pp. 9-19
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  1. The Fire and the Frying Pan: Censorship and Performance in Egypt
  2. Nehad Selaiha
  3. pp. 20-47
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  1. African Tongues on the Israeli Stage: A Reversed Diaspora
  2. Sarit Cofman-Simhon
  3. pp. 48-68
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  1. Imaginaries of Exile and Emergence in Israeli Jewish and Palestinian Hip Hop
  2. David A. McDonald
  3. pp. 69-87
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  1. Be About It: Graffiteras Performing Feminist Community
  2. Jessica N. Pabón
  3. pp. 88-116
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  1. Death Dressed As a Dancer: The Grotesque, Violence, and the Argentine Tango
  2. Julie Taylor
  3. pp. 117-131
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  1. The Aesthetics of the Invisible: Sacred Music in Secular (French) Places
  2. Deborah Kapchan
  3. pp. 132-147
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  1. Hearing the Music of the Hemispheres
  2. Erin B. Mee
  3. pp. 148-150
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  1. The Shelf Life of Shock: Alice Tuan’s Ajax (por nobody) in the Flesh
  2. Lawrence Switzky
  3. pp. 151-157
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  1. Orgasms and Oppositions: Dani Ploeger’s ELECTRODE
  2. Alissa Clarke
  3. pp. 158-163
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  1. Live Art in LA: Performance in Southern California, 1970–1983 ed. by Peggy Phelan (review)
  2. Meiling Cheng
  3. pp. 164-166
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  1. The Drama of Ideas: Platonic Provocations in Theater and Philosophy by Martin Puchner (review)
  2. Will Daddario
  3. pp. 167-168
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  1. Body of State: The Moro Affair, A Nation Divided by Marco Baliani, and: Trilogy of Resistance by Antonio Negri (review)
  2. Richard Drake
  3. pp. 169-172
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  1. Readings in Performance and Ecology ed. by Wendy Arons and Theresa J. May (review)
  2. Joanne Zerdy
  3. pp. 174-176
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  1. Toward a General Theory of Acting: Cognitive Science and Performance by John Lutterbie (review)
  2. Phillip Zarrilli
  3. pp. 179-181
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  1. More Books
  2. pp. 181-182
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