1. Dialectics of Desire, Victimhood and Postcolonial Migrancy in Tahar Ben Jelloun’s Leaving Tangier
  2. Ahmed Idrissi Alami
  3. pp. 1-31
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  1. Critical Medievalism and the New South: Red Rock and Gone with the Wind
  2. Alexandra Cook
  3. pp. 32-52
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  1. “The Loophole of Retreat”: Interstitial Spaces in Harriet Jacobs’s Incidents in the Life of a Slave Girl
  2. Miranda A. Green-Barteet
  3. pp. 53-72
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  1. Humoralism and Poverty in Jonson’s Every Man in his Humour
  2. Matthew Kendrick
  3. pp. 73-90
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  1. Judicial Duels and Moral Inadequacy in La Mort le Roi Artu
  2. David S. King
  3. pp. 91-111
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  1. Decadence as a Progressive Force in Select Prose of Julián del Casal and Amado Nervo
  2. Nancy Lagreca
  3. pp. 112-135
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  1. Dreaming in French: The Paris Years of Jacqueline Bouvier Kennedy, Susan Sontag, and Angela Davis by Alice Kaplan (review)
  2. Melissa Bailar
  3. pp. 162-164
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  1. Portraits of the Artist as a Young Woman: Painting and the Novel in France and Britain, 1800–1860 by Alexandra K. Wettlaufer (review)
  2. Melissa Percival
  3. pp. 164-166
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  1. Romances of the White Man’s Burden: Race, Empire, and the Plantation in American Literature, 1880–1936 by Jeremy Wells (review)
  2. Geoffrey A. Wright
  3. pp. 166-168
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  1. Acknowledgment, Adaptation and Shakespeare in Ron Rash’s Serena
  2. Christopher L. Morrow
  3. pp. 136-161
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  1. Notes on Contributors
  2. pp. 169-170
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