We cannot verify your location
Browse Book and Journal Content on Project MUSE

  Volume 30, Number 2, Summer 2013

Table of Contents


Dialectics of Desire, Victimhood and Postcolonial Migrancy in Tahar Ben Jelloun’s Leaving Tangier

pp. 1-31 | DOI: 10.1353/scr.2013.0012

Critical Medievalism and the New South: Red Rock and Gone with the Wind

pp. 32-52 | DOI: 10.1353/scr.2013.0014

“The Loophole of Retreat”: Interstitial Spaces in Harriet Jacobs’s Incidents in the Life of a Slave Girl

pp. 53-72 | DOI: 10.1353/scr.2013.0016

Humoralism and Poverty in Jonson’s Every Man in his Humour

pp. 73-90 | DOI: 10.1353/scr.2013.0018

Judicial Duels and Moral Inadequacy in La Mort le Roi Artu

pp. 91-111 | DOI: 10.1353/scr.2013.0020

Decadence as a Progressive Force in Select Prose of Julián del Casal and Amado Nervo

pp. 112-135 | DOI: 10.1353/scr.2013.0021

Acknowledgment, Adaptation and Shakespeare in Ron Rash’s Serena

pp. 136-161 | DOI: 10.1353/scr.2013.0011


Dreaming in French: The Paris Years of Jacqueline Bouvier Kennedy, Susan Sontag, and Angela Davis by Alice Kaplan (review)

pp. 162-164 | DOI: 10.1353/scr.2013.0013

Portraits of the Artist as a Young Woman: Painting and the Novel in France and Britain, 1800–1860 by Alexandra K. Wettlaufer (review)

pp. 164-166 | DOI: 10.1353/scr.2013.0015

Romances of the White Man’s Burden: Race, Empire, and the Plantation in American Literature, 1880–1936 by Jeremy Wells (review)

pp. 166-168 | DOI: 10.1353/scr.2013.0017

Notes on Contributors

pp. 169-170 | DOI: 10.1353/scr.2013.0019

Research Areas


  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access