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In this Issue

Table of Contents

Articles

  1. Some Notes on the Life of Jacob Cervetto
  2. Michael Talbot
  3. pp. 207-236
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  1. Sound and Sensibility in Diderot’s ‘Le Neveu de Rameau'
  2. Scott M. Sanders
  3. pp. 237-262
  4. restricted access
  1. Romantic Empowerment at the Paris Opera in the 1770s and 1780s
  2. Michael Fend
  3. pp. 263-294
  4. restricted access
  1. Normality and Emplotment: Walter Leigh’s ‘Midsummer Night’s Dream’ in the Third Reich and Britain
  2. Thomas Irvine
  3. pp. 295-323
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Review Article

  1. Soundtracks to the ‘People’s War'
  2. Kate Guthrie
  3. pp. 324-333
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Reviews

  1. Giving Voice to Love: Song and Self-Expression from the Troubadours to Guillaume de Machaut by Judith A. Peraino (review)
  2. Henry Hope
  3. pp. 334-337
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  1. Tomás Luis de Victoria y la cultura musical en la España de Filipe III ed. by Alfonso de Vicente and Pilar Tomás (review)
  2. Owen Rees
  3. pp. 337-339
  4. restricted access
  1. Pure Gold: Golden Age Sacred Music in the Iberian World: A Homage to Bruno Turner ed. by Knighton and Bernadette Nelson (review)
  2. Walter Aaron Clark
  3. pp. 339-341
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  1. Opera, Theatrical Culture and Society in Late Eighteenth-Century Naples by Anthony R. DelDonna (review)
  2. Zoey M. Cochran
  3. pp. 341-344
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  1. ‘...über jeden Ausdruck erhaben und schön’: Die Schweizer Reise der Familie Mendelssohn 1822 ed. by Hans-Günter Klein (review)
  2. Benedict Taylor
  3. pp. 344-346
  4. restricted access
  1. Le Concours du Prix de Rome de musique (1803–1968) ed. by Julia Lu and Alexandre Dratwicki (review)
  2. Richard Langham Smith
  3. pp. 346-349
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  1. Rethinking Hanslick: Music, Formalism, and Expression ed. by Nicole Grimes, Siobhán Donovan, and Wolfgang Marx (review)
  2. Matthew Pritchard
  3. pp. 349-352
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  1. Jean Sibelius and his World ed. by Daniel M. Grimley (review)
  2. Derek B. Scott
  3. pp. 352-354
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  1. Až k hořkému konci: Pražské německé divadlo 1845–1945 by Jitka Ludvová (review)
  2. John Tyrrell
  3. pp. 354-357
  4. restricted access
  1. ‘Divadlo nesmí býti lidu komedií’: Leoš Janácek a Národní divadlo v Brne / ‘Theatre music not be comedy for the people’: Leoš Janácek and the National Theatre in Brno by Jiri Zahrádka (review)
  2. Nigel Simeone
  3. pp. 357-358
  4. restricted access
  1. Berg’s Wozzeck by Patricia Hall (review)
  2. Nick Chadwick
  3. pp. 358-360
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  1. Charles E. Ives, Symphony No. 4 ed. by William Brooks et al., and: Charles Ives Society Performance Edition, 2011 ed. by Thomas M. Brodhead (review)
  2. Peter Dickinson
  3. pp. 360-362
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  1. Dear Dorothy: Letters from Nicolas Slonimsky to Dorothy Adlow ed. by Electra Slonimsky Yourke (review)
  2. Peter Dickinson
  3. pp. 363-364
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  1. Seeing through Music: Gender and Modernism in Classic Hollywood Film Scores by Peter Franklin (review)
  2. Catherine Haworth
  3. pp. 365-367
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  1. Changed for Good: A Feminist History of the Broadway Musical by Stacy Wolf (review)
  2. Naomi Graber
  3. pp. 367-370
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  1. Metal Rules the Globe: Heavy Metal Music around the World ed. by Jeremy Wallach, Harris M. Berger, and Paul D. Greene (review)
  2. Gerd Bayer
  3. pp. 370-372
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  1. Bytes and Backbeats: Repurposing Music in the Digital Age by Steve Savage (review)
  2. Roddy Hawkins
  3. pp. 372-375
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  1. Music and Ethics by Marcel Cobussen and Nanette Nielsen (review)
  2. Anthony Gritten
  3. pp. 375-377
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  1. ‘Music & Letters’ Awards
  3. p. 379
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  1. Authors of Articles in This Issue
  3. p. 379
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  1. Books Received
  3. pp. 380-381
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