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  Volume 70, Number 1, September 2013

Table of Contents

Verdi at 200: Recent Scholarship on the Composer and His Works

pp. 9-36

“A Suitable Soloist for My Piano Concerto”: Teresa Carreño as a Promoter of Edvard Grieg’s Music

pp. 37-58

“Well I Don’t Care About History”: Oral History and the Making of Collective Memory in Punk Rock

pp. 59-77

Notes for Notes

pp. 78-86

Book Reviews


The Arts of the Prima Donna in the Long Nineteenth Century ed. by Rachel Cowgill and Hilary Poriss (review)

pp. 87-89

The Ballets Russes and Beyond: Music and Dance in Belle-Époque Paris by Davinia Caddy (review)

pp. 89-91

From Madrigal to Opera: Monteverdi’s Staging of the Self by Mauro Calcagno (review)

pp. 91-93

Musica Britannica

An Imperishable Heritage: British Choral Music from Parry to Dyson: A Study of Selected Works by Stephen Town (review)

pp. 93-96

Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley ed. by Bennett Zon (review)

pp. 96-98

Latin America and Asia

Los libros de polifonía de la Catedral de México. Estúdio y catálogo crítico by Javier Marín López (review)

pp. 98-100

Intimate Distance: Andean Music in Japan by Michelle Bigenho (review)

pp. 100-102

Hearts of Pine: Songs in the Lives of Three Korean Survivors of the Japanese “Comfort Women.” by Joshua D. Pilzer (review)

pp. 103-104

Man and Media

Playing Along: Digital Games, YouTube, and Virtual Performance by Kiri Miller (review)

pp. 104-107

Pop When the World Falls Apart: Music in the Shadow of Doubt ed. by Eric Weisbard (review)

pp. 107-109

Groove Music: The Art and Culture of the Hip-Hop DJ by Mark Katz (review)

pp. 109-111

The Music of Fantasy Cinema by Janet K. Halfyard (review)

pp. 111-113


Audacious Euphony: Chromaticism and the Triad’s Second Nature by Richard Cohn (review)

pp. 113-116

Postmodernism in Music by Kenneth Gloag (review)

pp. 116-119


Bach’s Feet: The Organ Pedals in European Culture by David Yearsley (review)

pp. 119-122

Le style de Claude Debussy. Duplication, répétition et dualité dans les stratégies de composition by Sylveline Bourion (review)

pp. 122-124

George Whitefield Chadwick: The Life and Music of the Pride of New England by Bill F. Faucett (review)

pp. 124-126

Christian Wolff by Michael Hicks and Christian Asplund (review)

pp. 126-128

Elliott Carter Studies ed. by Marguerite Boland and John Link, and: Elliott Carter’s What Next?: Communication, Cooperation, and Separation by Guy Capuzzo (review)

pp. 128-132

The American Stravinsky: The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 by Gayle Murchison (review)

pp. 132-135

Henry Cowell: A Man Made of Music by Joel Sachs (review)

pp. 135-137

Books Recently Published

pp. 138-152

New Periodicals

pp. 153-155

Digital Media reviews

medici.tv by MUSEEC (review)

pp. 156-159

Video Reviews

Medea in Corinto by Giovanni Simone Mayr, and: Marino Faliero by Gaetano Donizetti (review)

pp. 160-161

Die Liebe der Danae by Richard Strauss (review)

pp. 161-162

Rise and Fall of the City of Mahagonny by Kurt Weill, and: Aufstieg und Fall der Stadt Mahagonny by Kurt Weill (review)

pp. 162-163

Billy Budd by Benjamin Britten, and: Anna Nicole by Mark-Anthony Turnage (review)

pp. 163-165

The Curious Case of Benjamin Button by John Eaton (review)

p. 165

Stephen Sondheim’s Company New York Philharmonic by John Eaton (review)

p. 166

Aaron Copland: Fanfare for America by Andreas Skipis (review)

pp. 166-167

Sophia, Biography of a Violin Concerto directed by Jan Schmidt-Garre (review)

pp. 167-168

Güher and Süher Pekinel Live in Concert by Trio Jacques Loussier (review)

pp. 168-169

Uniko by Kimmo Pohjonen and Samuli Kosminen (review)

pp. 169-170

A Different Way: Tango with Rodolfo Mederos directed by Gabriel Szollosy (review)

p. 170

Kinshasa Symphony directed by Claus Wischmann and Martin Baer, and: Eastern Voices directed by Frank Scheffer and Günter Wallbrecht (review)

pp. 171-172

Music Reviews

Pasquini’s Cantatas

pp. 173-176

Bristow’s Symphony No. 2

pp. 176-180

German Film Scores from the Silent Era

pp. 180-186

Piano Music by Marc-André Hamelin

pp. 186-189

Recent Music of Hans Abrahamsen

pp. 190-193

Music Received

pp. 194-203

Index to Advertisers

p. 204

Research Areas


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