1. Verdi at 200: Recent Scholarship on the Composer and His Works
  2. Linda B. Fairtile
  3. pp. 9-36
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  1. “A Suitable Soloist for My Piano Concerto”: Teresa Carreño as a Promoter of Edvard Grieg’s Music
  2. Anna E. Kijas
  3. pp. 37-58
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  1. “Well I Don’t Care About History”: Oral History and the Making of Collective Memory in Punk Rock
  2. Joseph M. Turrini
  3. pp. 59-77
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  1. Notes for Notes
  2. pp. 78-86
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  1. The Arts of the Prima Donna in the Long Nineteenth Century ed. by Rachel Cowgill and Hilary Poriss (review)
  2. Kimberly White
  3. pp. 87-89
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  1. The Ballets Russes and Beyond: Music and Dance in Belle-Époque Paris by Davinia Caddy (review)
  2. Emma Adlard
  3. pp. 89-91
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  1. From Madrigal to Opera: Monteverdi’s Staging of the Self by Mauro Calcagno (review)
  2. Gregory Camp
  3. pp. 91-93
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  1. An Imperishable Heritage: British Choral Music from Parry to Dyson: A Study of Selected Works by Stephen Town (review)
  2. Joseph Sargent
  3. pp. 93-96
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  1. Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley ed. by Bennett Zon (review)
  2. Michelle Meinhart
  3. pp. 96-98
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  1. Los libros de polifonía de la Catedral de México. Estúdio y catálogo crítico by Javier Marín López (review)
  2. Robert L. Kendrick
  3. pp. 98-100
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  1. Intimate Distance: Andean Music in Japan by Michelle Bigenho (review)
  2. Catherine Gauthier-Mercier
  3. pp. 100-102
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  1. Hearts of Pine: Songs in the Lives of Three Korean Survivors of the Japanese “Comfort Women.” by Joshua D. Pilzer (review)
  2. Ruth Mueller
  3. pp. 103-104
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  1. Playing Along: Digital Games, YouTube, and Virtual Performance by Kiri Miller (review)
  2. Enoch Jacobus
  3. pp. 104-107
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  1. Pop When the World Falls Apart: Music in the Shadow of Doubt ed. by Eric Weisbard (review)
  2. Joseph R. Matson
  3. pp. 107-109
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  1. Groove Music: The Art and Culture of the Hip-Hop DJ by Mark Katz (review)
  2. John Paul Meyers
  3. pp. 109-111
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  1. The Music of Fantasy Cinema by Janet K. Halfyard (review)
  2. Lisa Scoggin
  3. pp. 111-113
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  1. Audacious Euphony: Chromaticism and the Triad’s Second Nature by Richard Cohn (review)
  2. Steven D. Mathews
  3. pp. 113-116
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  1. Postmodernism in Music by Kenneth Gloag (review)
  2. Björn Heile
  3. pp. 116-119
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  1. Bach’s Feet: The Organ Pedals in European Culture by David Yearsley (review)
  2. David Crean
  3. pp. 119-122
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  1. Le style de Claude Debussy. Duplication, répétition et dualité dans les stratégies de composition by Sylveline Bourion (review)
  2. Caroline Potter
  3. pp. 122-124
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  1. George Whitefield Chadwick: The Life and Music of the Pride of New England by Bill F. Faucett (review)
  2. Karrin Ford
  3. pp. 124-126
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  1. Christian Wolff by Michael Hicks and Christian Asplund (review)
  2. Sara Haefeli
  3. pp. 126-128
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  1. The American Stravinsky: The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 by Gayle Murchison (review)
  2. Paula Musegades
  3. pp. 132-135
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  1. Henry Cowell: A Man Made of Music by Joel Sachs (review)
  2. Iain Quinn
  3. pp. 135-137
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  1. Books Recently Published
  2. James Procell, Matt Ertz
  3. pp. 138-152
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  1. New Periodicals
  2. Lindsay Hansen
  3. pp. 153-155
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  1. medici.tv by MUSEEC (review)
  2. Kenneth Kauffman
  3. pp. 156-159
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  1. Medea in Corinto by Giovanni Simone Mayr, and: Marino Faliero by Gaetano Donizetti (review)
  2. John Holland
  3. pp. 160-161
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  1. Die Liebe der Danae by Richard Strauss (review)
  2. Roderick L. Sharpe
  3. pp. 161-162
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  1. Rise and Fall of the City of Mahagonny by Kurt Weill, and: Aufstieg und Fall der Stadt Mahagonny by Kurt Weill (review)
  2. Alexander Carpenter
  3. pp. 162-163
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  1. Billy Budd by Benjamin Britten, and: Anna Nicole by Mark-Anthony Turnage (review)
  2. Ryan Ebright
  3. pp. 163-165
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  1. The Curious Case of Benjamin Button by John Eaton (review)
  2. Shelley L. Rogers
  3. p. 165
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  1. Stephen Sondheim’s Company New York Philharmonic by John Eaton (review)
  2. Katherine FitzGibbon
  3. p. 166
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  1. Aaron Copland: Fanfare for America by Andreas Skipis (review)
  2. John Clark
  3. pp. 166-167
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  1. Sophia, Biography of a Violin Concerto directed by Jan Schmidt-Garre (review)
  2. Sabra Statham
  3. pp. 167-168
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  1. Güher and Süher Pekinel Live in Concert by Trio Jacques Loussier (review)
  2. Lars Helgert
  3. pp. 168-169
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  1. Uniko by Kimmo Pohjonen and Samuli Kosminen (review)
  2. S. Andrew Granade
  3. pp. 169-170
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  1. A Different Way: Tango with Rodolfo Mederos directed by Gabriel Szollosy (review)
  2. Michael Ashenfelder
  3. p. 170
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  1. Pasquini’s Cantatas
  2. Margaret Murata
  3. pp. 173-176
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  1. Bristow’s Symphony No. 2
  2. Douglas Shadle
  3. pp. 176-180
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  1. German Film Scores from the Silent Era
  2. Daniel Bishop
  3. pp. 180-186
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  1. Piano Music by Marc-André Hamelin
  2. Jory Debenham
  3. pp. 186-189
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  1. Recent Music of Hans Abrahamsen
  2. Matthew Ertz
  3. pp. 190-193
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  1. Index to Advertisers
  2. p. 204
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  1. Music Received
  2. David Knapp
  3. pp. 194-203
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