Volume 70, Number 1, September 2013

Table of Contents

Verdi at 200: Recent Scholarship on the Composer and His Works

pp. 9-36
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“A Suitable Soloist for My Piano Concerto”: Teresa Carreño as a Promoter of Edvard Grieg’s Music

pp. 37-58
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“Well I Don’t Care About History”: Oral History and the Making of Collective Memory in Punk Rock

pp. 59-77
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Notes for Notes

pp. 78-86
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Book Reviews

Stage

The Arts of the Prima Donna in the Long Nineteenth Century ed. by Rachel Cowgill and Hilary Poriss (review)

pp. 87-89
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The Ballets Russes and Beyond: Music and Dance in Belle-Époque Paris by Davinia Caddy (review)

pp. 89-91
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From Madrigal to Opera: Monteverdi’s Staging of the Self by Mauro Calcagno (review)

pp. 91-93
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Musica Britannica

An Imperishable Heritage: British Choral Music from Parry to Dyson: A Study of Selected Works by Stephen Town (review)

pp. 93-96
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Music and Performance Culture in Nineteenth-Century Britain: Essays in Honour of Nicholas Temperley ed. by Bennett Zon (review)

pp. 96-98
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Latin America and Asia

Los libros de polifonía de la Catedral de México. Estúdio y catálogo crítico by Javier Marín López (review)

pp. 98-100
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Intimate Distance: Andean Music in Japan by Michelle Bigenho (review)

pp. 100-102
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Hearts of Pine: Songs in the Lives of Three Korean Survivors of the Japanese “Comfort Women.” by Joshua D. Pilzer (review)

pp. 103-104
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Man and Media

Playing Along: Digital Games, YouTube, and Virtual Performance by Kiri Miller (review)

pp. 104-107
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Pop When the World Falls Apart: Music in the Shadow of Doubt ed. by Eric Weisbard (review)

pp. 107-109
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Groove Music: The Art and Culture of the Hip-Hop DJ by Mark Katz (review)

pp. 109-111
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The Music of Fantasy Cinema by Janet K. Halfyard (review)

pp. 111-113
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Theories

Audacious Euphony: Chromaticism and the Triad’s Second Nature by Richard Cohn (review)

pp. 113-116
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Postmodernism in Music by Kenneth Gloag (review)

pp. 116-119
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Composers

Bach’s Feet: The Organ Pedals in European Culture by David Yearsley (review)

pp. 119-122
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Le style de Claude Debussy. Duplication, répétition et dualité dans les stratégies de composition by Sylveline Bourion (review)

pp. 122-124
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George Whitefield Chadwick: The Life and Music of the Pride of New England by Bill F. Faucett (review)

pp. 124-126
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Christian Wolff by Michael Hicks and Christian Asplund (review)

pp. 126-128
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Elliott Carter Studies ed. by Marguerite Boland and John Link, and: Elliott Carter’s What Next?: Communication, Cooperation, and Separation by Guy Capuzzo (review)

pp. 128-132
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The American Stravinsky: The Style and Aesthetics of Copland’s New American Music, the Early Works, 1921–1938 by Gayle Murchison (review)

pp. 132-135
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Henry Cowell: A Man Made of Music by Joel Sachs (review)

pp. 135-137
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Books Recently Published

pp. 138-152
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New Periodicals

pp. 153-155
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Digital Media reviews

medici.tv by MUSEEC (review)

pp. 156-159
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Video Reviews

Medea in Corinto by Giovanni Simone Mayr, and: Marino Faliero by Gaetano Donizetti (review)

pp. 160-161
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Die Liebe der Danae by Richard Strauss (review)

pp. 161-162
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Rise and Fall of the City of Mahagonny by Kurt Weill, and: Aufstieg und Fall der Stadt Mahagonny by Kurt Weill (review)

pp. 162-163
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Billy Budd by Benjamin Britten, and: Anna Nicole by Mark-Anthony Turnage (review)

pp. 163-165
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The Curious Case of Benjamin Button by John Eaton (review)

p. 165
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Stephen Sondheim’s Company New York Philharmonic by John Eaton (review)

p. 166
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Aaron Copland: Fanfare for America by Andreas Skipis (review)

pp. 166-167
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Sophia, Biography of a Violin Concerto directed by Jan Schmidt-Garre (review)

pp. 167-168
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Güher and Süher Pekinel Live in Concert by Trio Jacques Loussier (review)

pp. 168-169
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Uniko by Kimmo Pohjonen and Samuli Kosminen (review)

pp. 169-170
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A Different Way: Tango with Rodolfo Mederos directed by Gabriel Szollosy (review)

p. 170
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Kinshasa Symphony directed by Claus Wischmann and Martin Baer, and: Eastern Voices directed by Frank Scheffer and Günter Wallbrecht (review)

pp. 171-172
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Music Reviews

Pasquini’s Cantatas

pp. 173-176
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Bristow’s Symphony No. 2

pp. 176-180
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German Film Scores from the Silent Era

pp. 180-186
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Piano Music by Marc-André Hamelin

pp. 186-189
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Recent Music of Hans Abrahamsen

pp. 190-193
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Music Received

pp. 194-203
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Index to Advertisers

p. 204
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