1. Strindberg and Radicalism—Strindberg and the Avant-garde: A Hundred-Year Legacy
  2. Anna Westerståhl Stenport, Eszter Szalczer
  3. pp. 235-247
  4. DOI: 10.1353/scd.2012.0033
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  1. Strindberg Goes to Frankfurt: Critical Theory and the Reactionary Writer
  2. Ulf Olsson
  3. pp. 249-272
  4. DOI: 10.1353/scd.2012.0035
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  1. Between Vision and Doubt: Re-assessing the Radicalism of Strindberg’s Italian Travel Writing and Likt och olikt (1884)
  2. Massimo Ciaravolo
  3. pp. 273-298
  4. DOI: 10.1353/scd.2012.0037
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  1. Ambivalent Beginnings: Strindberg, the Artist’s Book, and the Foundation of Swedish Material Modernism
  2. Jon Viklund
  3. pp. 299-322
  4. DOI: 10.1353/scd.2012.0029
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  1. Aleister Crowley Reads Inferno: Towards an Occult Reception of Strindberg
  2. Giuliano D’Amico
  3. pp. 323-346
  4. DOI: 10.1353/scd.2012.0030
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  1. The Surreal Paris of August Strindberg’s “Jacob lutte”
  2. Ann-Charlotte Gavel Adams
  3. pp. 347-358
  4. DOI: 10.1353/scd.2012.0031
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  1. Strindberg’s Radical Aesthetics
  2. Christopher Innes
  3. pp. 359-372
  4. DOI: 10.1353/scd.2012.0032
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  1. On the Threshold: Knowledge, Hybridity, and Gender in August Strindberg’s I havsbandet
  2. Irina Hron-Öberg
  3. pp. 373-394
  4. DOI: 10.1353/scd.2012.0034
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  1. Trauma, Radicalism, and Dramatic Form in Till Damaskus I
  2. Langdon Brown
  3. pp. 395-412
  4. DOI: 10.1353/scd.2012.0036
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  1. Earthbound: Strindberg’s Dream Play Reimagined for the Era of Digital Media Convergence
  2. Robert Allen
  3. pp. 413-424
  4. DOI: 10.1353/scd.2012.0028
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