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  Volume 60, Number 1, September 2003

Table of Contents

From: Notes

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Notes for Notes

pp. 130-133 | DOI: 10.1353/not.2003.0118

Books Recently Published

pp. 194-226 | DOI: 10.1353/not.2003.0137

Music Publishers' Catalogs

pp. 259-265 | DOI: 10.1353/not.2003.0106

Music Received

pp. 302-316 | DOI: 10.1353/not.2003.0110

Music Library Association Administrative Structure

pp. 317-333 | DOI: 10.1353/not.2003.0086

Information for Contributors

p. 334 | DOI: 10.1353/not.2003.0108


Jamming the Reception: Ken Burns, Jazz, and the Problem of "America's Music"

pp. 11-45 | DOI: 10.1353/not.2003.0124

Evolution of an Edition: The Case of Beethoven's Opus 2: Part 2: Partners and Pirates, Correction and Corruption: The Reprint Publishers and Their Editions from 1798 to 1826

pp. 46-129 | DOI: 10.1353/not.2003.0133

Book Reviews
Edited by David Gilbert

American Vernacular and Commercial Music

The Chattahoochee Musical Convention, 1852-2002: A Sacred Harp Historical Sourcebook (review)

pp. 134-136 | DOI: 10.1353/not.2003.0131

Close Harmony: A History of Southern Gospel (review)

pp. 136-137 | DOI: 10.1353/not.2003.0134

Old Time Kentucky Fiddle Tunes (review)

pp. 138-140 | DOI: 10.1353/not.2003.0125

Jazz on the Road: Don Albertis Musical Life (review)

pp. 140-141 | DOI: 10.1353/not.2003.0101

The Book of Klezmer: The History, the Music, the Folklore from the 14th Century to the 21st, and: American Klezmer: Its Roots and Offshoots (review)

pp. 141-144 | DOI: 10.1353/not.2003.0088

David Braham: The American Offenbach (review)

pp. 144-146 | DOI: 10.1353/not.2003.0136

The Cartoon Music Book (review)

pp. 146-148 | DOI: 10.1353/not.2003.0107

Analytical Issues

Theorie et analyse musicales 1450-1650, Actes du colloque international, Louvain-la-Neuve, 23-25 septembre 1999 (review)

pp. 148-151 | DOI: 10.1353/not.2003.0097

The English Traditional Ballad: Theory, Method, and Practice (review)

pp. 151-153 | DOI: 10.1353/not.2003.0096

The String Quartet, 1750-1797: Four Types of Musical Conversation (review)

pp. 153-155 | DOI: 10.1353/not.2003.0120

Form und Metrik: Zahlen in den Symphonien von Anton Bruckner, and: Bruckner Symphonien in Bearbeitungen: Die Konzepte der Bruckner-Schuler und ihre Rezeption bis zu Robert Haas, and: Zwischen Einfuhlung und Abstraktion: Studien zum Problem des symphonischen Typus Anton Bruckners (review)

pp. 155-158 | DOI: 10.1353/not.2003.0111

Elgaris Oratorios: The Creation of an Epic Narrative (review)

pp. 158-160 | DOI: 10.1353/not.2003.0121

The Music of Louis Andriessen (review)

pp. 160-162 | DOI: 10.1353/not.2003.0103

Electroacoustic Music: Analytical Perspectives (review)

pp. 162-163 | DOI: 10.1353/not.2003.0112

Indian Music--Eminent Thinkers on Core Issues (review)

pp. 164-165 | DOI: 10.1353/not.2003.0114

Composers and Performers

Crossing Paths: Schubert, Schumann and Brahms (review)

pp. 165-167 | DOI: 10.1353/not.2003.0119

New Worlds of Dvorak: Searching in America for the Composer's Inner Life (review)

pp. 167-169 | DOI: 10.1353/not.2003.0092

Tchaikovsky's Complete Songs: A Companion with Texts and Translations (review)

pp. 169-171 | DOI: 10.1353/not.2003.0089

Mahler and His World (review)

pp. 171-173 | DOI: 10.1353/not.2003.0122

Vladimir de Pachmann: a Piano Virtuoso's Life and Art (review)

pp. 173-174 | DOI: 10.1353/not.2003.0130

Oscar Espla in Belgium (1936-1949) (review)

pp. 174-176 | DOI: 10.1353/not.2003.0123

Henry Cowell, Bohemian (review)

pp. 176-178 | DOI: 10.1353/not.2003.0091

Dmitri Shostakovich: A Catalogue, Bibliography, and Discography (review)

pp. 178-180 | DOI: 10.1353/not.2003.0098

Stravinsky and Balanchine: A Journey of Invention (review)

pp. 180-182 | DOI: 10.1353/not.2003.0127

How to Succeed in an Ensemble: Reflections on a Life in Chamber Music (review)

pp. 182-183 | DOI: 10.1353/not.2003.0132

Diverse Topics and Cultures

Echos from Dharamsala: Music in the Life of a Tibetan Refugee Community (review)

pp. 184-185 | DOI: 10.1353/not.2003.0090

Musikalisches Drama und Boulevard: Franzosische Einflusse auf die italienische Oper im 19. Jahrhundert (review)

pp. 185-187 | DOI: 10.1353/not.2003.0105

Reading Opera between the Lines: Orchestral Interludes and Cultural Meaning from Wagner to Berg (review)

pp. 187-189 | DOI: 10.1353/not.2003.0094

Music on the Margin--Urban Musical Life in Eighteenth-Century Jaca (Spain) (review)

pp. 189-191 | DOI: 10.1353/not.2003.0117

Teaching Music History (review)

pp. 191-193 | DOI: 10.1353/not.2003.0115

New Periodicals

pp. 227-233 | DOI: 10.1353/not.2003.0128

Digital Media Reviews
Edited by Rebecca Maloy

Teaching Medieval Lyric with Modern Technology: New Windows on the Medieval World (review)

pp. 234-236 | DOI: 10.1353/not.2003.0113

Surfing down to Rio: Brazilian Classical Music on the Web

pp. 237-239 | DOI: 10.1353/not.2003.0116

Sound Recording Reviews
Edited by Rick Anderson

Music of the Civil War Era: A Discography

pp. 240-254 | DOI: 10.1353/not.2003.0093

Briefly Noted

pp. 254-258 | DOI: 10.1353/not.2003.0087

Music Reviews
Edited by Darwin F. Scott

Musik zu Ein Sommernachtstraum von Shakespeare, op. 61, and: Musik zu Ein Sommernachtstraum von Shakespeare, op. 61: Arrangements fur Klavier (review)

pp. 266-269 | DOI: 10.1353/not.2003.0109

Breviarium notatum Strigoniense (saeculi XIII) (review)

pp. 269-272 | DOI: 10.1353/not.2003.0100

Paradisus Musicus (review)

pp. 272-274 | DOI: 10.1353/not.2003.0135

The Complete Guitar Works: A Transcription and Translation of the Complete Music and Text in Sanz's Instruccion de musica sobre la guitarra espanola (Zaragoza, 1674/5 and 1697) (review)

pp. 275-277 | DOI: 10.1353/not.2003.0104

Masses by Giovanni Andrea Florimi, Giovanni Francesco Mognossa, Bonifazio Graziani, and: Masses by Domenico Scorpione, Lorenzo Penna, Giovanni Paolo Colonna, and: Masses by Pietro Degli Antoni and Giovanni Battista Bassani (review)

pp. 277-278 | DOI: 10.1353/not.2003.0129

Ave Maria for Upper Voices (SSA) Unaccompanied, and: Chorus from Shelley's "Hellas" for Five-Part Women's Chorus (SSSAA) Unaccompanied, and: Morpheus for Viola and Piano, and: Prelude, Allegro, and Pastorale for B[flat] Clarinet and Viola, and: Songs with Violin, and: Songs with Piano (review)

pp. 278-285 | DOI: 10.1353/not.2003.0095

Piezas caprichosas [para] orquesta, and: Imita! Imita, que algo queda: Preludio para clarinete y orquesta, and: Homenaje G. P. para grupo instrumental, and: Complutum [para] orquesta [1998], and: IV sinfonia: Concertante [1994], and: Concierto para violin y orquesta [1996], and: Concierto para piano y orquesta (Homenaje a Manuel de Falla) (review)

pp. 285-290 | DOI: 10.1353/not.2003.0102

Le festin d'Esope and Other Works for Solo Piano, and: Ier concerto da camera en la mineur pour piano et orchestre, op. 10, and: Zweite Ballettszene fur Klavier, op. 20, Busoni-Verz. 209, and: The Complete Elegies, the Six Sonatinas and Other Original Works for Solo Piano, and: Toccata and Fugue in D Minor and Other Bach Transcriptions for Solo Piano, and: The Godowsky Collection, and: The Complete Piano Sonatas, and: Complete Fairy Tales for Solo Piano, and: Passeggiata Variata (1981) for Piano (review)

pp. 290-295 | DOI: 10.1353/not.2003.0126

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