1. The Place of Mimesis and the Apocalyptic: Toward a Topology of the “Far and Near”
  2. Richard Schenk
  3. pp. 1-24
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  1. The Reception of the Mimetic Theory in the German-Speaking World
  2. Andreas Hetzel, Wolfgang Palaver, Dietmar Regensburger, Gabriel Borrud
  3. pp. 25-76
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  1. Naturalizing Ethics: A Girardian Perspective
  2. Paul Dumouchel
  3. pp. 77-86
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  1. Scandals Must Come
  2. Jeremiah L. Alberg
  3. pp. 87-99
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  1. The Nonself of Girard
  2. Samuel Buchoul
  3. pp. 101-116
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  1. The Child of Fortune: Envy and the Constitution of the Social Space
  2. Emanuele Antonelli
  3. pp. 117-140
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  1. Nietzsche’s Double Binds: Giuseppe Fornari and René Girard on Nietzsche’s Thought
  2. Martino Pesenti Gritti
  3. pp. 141-162
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  1. Expositions of Sacrificial Logic: Girard, Žižek, and Cormac McCarthy’s No Country for Old Men
  2. Benjamin Barber
  3. pp. 163-179
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  1. To-Night “Golden Curls”: Murder and Mimesis in Hitchcock’s The Lodger
  2. Sanford Schwartz
  3. pp. 181-205
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  1. The Sacrificial Ram and the Swan Queen: Mimetic Theory Fades to Black
  2. Brian Collins
  3. pp. 207-237
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  1. How Can Satan Cast Out Satan?: Violence and the Birth of the Sacred in Christopher Nolan’s The Dark Knight
  2. Nicholas Bott
  3. pp. 239-251
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  1. Re-Visiting the Double: A Girardian Reading of Alfred Hitchcock’s Rope and Strangers on a Train
  2. David Humbert
  3. pp. 253-261
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  1. From the Editor
  2. William A. Johnsen
  3. pp. v-vi
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  1. Contributors
  2. pp. 263-267
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