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  Volume 30, Number 4, Winter 2012

Table of Contents


The Curious Afterlife of Dissonant Counterpoint: Jeanette B. Holland's Class Notes From Henry Cowell's 1951 Advanced Music Theory Course

pp. 405-425

Funeral Music and the Transformation of Southern Musical and Religious Cultures, 1935-1945

pp. 426-452

Eleanor Kane Neary and the Piano in Irish Traditional Music

pp. 453-467

Marshall Winslow Stearns and the Politics of Jazz Historiography

pp. 468-504

Book Reviews

The Makers of the Sacred Harp David Warren Steel with Richard H. Hulan (review)

pp. 505-507

Pick Yourself Up: Dorothy Fields and the American Musical by Charlotte Greenspan (review)

pp. 507-509

Showtime: A History of the Broadway Musical Theater by Larry Stempel (review)

pp. 509-513

Elliott Carter by James Wierzbicki (review)

pp. 514-516

Louis Armstrong's Hot Five and Hot Seven Recordings by Brian Harker (review)

pp. 517-519

Tin Pan Opera: Operatic Novelty Songs in the Ragtime Era by Larry Hamberlin (review)

pp. 519-521

Orpheus in Manhattan: William Schuman and the Shaping of America's Musical Life by Steve Swayne (review)

pp. 521-523

Downhome Gospel: African American Spiritual Activism in Wiregrass Country by Jerrilynn McGregory (review)

pp. 523-525

Forever Doo-Wop: Race, Nostalgia, and Vocal Harmony by John Michael Runowicz (review)

pp. 525-527

The Studio Recordings of the Miles Davis Quintet, 1965-68 by Keith Waters (review)

pp. 527-530

Woody Guthrie, American Radical by Will Kaufman (review)

pp. 531-532

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