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In this Issue

Table of Contents

  1. An Act of Rendering: Dance and Movement Dramaturgy
  2. Pil Hansen, Darcey Callison, Bruce Barton
  3. pp. 3-5
  4. restricted access
  1. The Role of the Dance Dramaturg: The Practical Necessities
  2. Elizabeth Langley
  3. pp. 6-9
  4. restricted access
  1. Paradoxes of the Dance Dramaturg
  2. Katya Montaignac, Natalia Esling
  3. pp. 10-15
  4. restricted access
  1. Friendship Is No Day Job—and Other Thoughts of a Resident Dance Dramaturg
  2. Jacob Zimmer
  3. pp. 16-20
  4. restricted access
  1. From Spectrum to Prism: Shifting Positions on Dance Dramaturgy—a Conference Response
  2. Pil Hansen
  3. pp. 21-24
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  1. Navigating a Continuum: MFA Dance Dramaturgy Research at York University
  2. Darcey Callison
  3. pp. 25-28
  4. restricted access
  1. The Shape of Space: Laban Movement Analysis as a Methodology for Dance Dramaturgy
  2. Susan Cash
  3. pp. 29-32
  4. restricted access
  1. Borealis
  2. Susan Lee
  3. pp. 33-36
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  1. What Are You Doing?: Dramaturgical Approaches to Eesti: Myths and Machines
  2. Lois Brown
  3. pp. 37-40
  4. restricted access
  1. Moving Thoughts
  2. Bruce Barton
  3. pp. 41-45
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  1. Delicious Risk: Progress Lab 1422's Obstructions as "Group Dramaturgy"
  2. Rachel Ditor
  3. pp. 46-49
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  1. Transmission: Dramaturgical Bodies
  2. Heidi Taylor, Tanya Marquardt
  3. pp. 50-53
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  1. Rewriting Distance: Bridging the Space between Dramaturg and Dancer
  2. Stefano Muneroni, Guy Cools
  3. pp. 54-57
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  1. Adaptation Project: A Performance Recipe
  2. Michael Trent, Dancemakers
  3. pp. 63-66
  4. restricted access
  1. Transmission
  2. Tanya Marquardt
  3. pp. 67-88
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  1. Editorial
  2. Natalie Alvarez
  3. pp. 89-90
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  1. Dancing the Iceberg
  2. Heather Fitzsimmons Frey
  3. pp. 90-93
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  1. Stage Turns: Canadian Disability Theatre by Kirsty Johnson (review)
  2. Petra Kuppers
  3. pp. 93-95
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  1. World Scenography 1975-1990 ed. by Peter McKinnon and Eric Fielding (review)
  2. Natalie Rewa
  3. pp. 95-98
  4. restricted access
  1. Root Vegetables and Reflections on West Coast Culture: Radix's BEUTFL CARATS for Progress Lab
  2. Melissa Poll
  3. pp. 98-101
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  1. The Edge Project: Good to Go
  2. Monica Prendergast
  3. pp. 101-103
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  1. Writing Dramaturgical Notes for Dance: "Carol's Dance Notes" 1996-2012
  2. Carol Anderson
  3. pp. 58-62
  4. restricted access