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In this Issue

Table of Contents

  1. Dedication
  2. Mizuta Noriko, Miya Elise Mizuta, Haga Koichi, Natta Phisphumvidhi, Alisa Freedman
  3. p. i
  4. DOI: https://doi.org/10.1353/roj.2012.0014
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  1. Images
  3. pp. ii-viii
  4. DOI: https://doi.org/10.1353/roj.2012.0017
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  1. Acknowledgements
  2. Noriko Murai, Yukio Lippit
  3. pp. xi-xii
  4. DOI: https://doi.org/10.1353/roj.2012.0001
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  1. Okakura Kakuzō: A Reintroduction
  2. Noriko Murai, Yukio Lippit
  3. pp. 1-14
  4. DOI: https://doi.org/10.1353/roj.2012.0004
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  1. Okakura Tenshin: Civilization Critique from the Standpoint of Asia (1962)
  2. Takeuchi Yoshimi, Christopher L. Hill
  3. pp. 15-25
  4. DOI: https://doi.org/10.1353/roj.2012.0007
  5. restricted access
  1. Okakura Kakuzō as a Historian of Art
  2. Kinoshita Nagahiro
  3. pp. 26-38
  4. DOI: https://doi.org/10.1353/roj.2012.0010
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  1. Okakura Kakuzō and India: The Trajectory of Modern National Consciousness and Pan-Asian Ideology Across Borders
  2. Inaga Shigemi, Kevin Singleton
  3. pp. 39-57
  4. DOI: https://doi.org/10.1353/roj.2012.0013
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  1. Okakura Kakuzō and Margaret Noble (Sister Nivedita): A Brief Episode
  2. John Rosenfield
  3. pp. 58-69
  4. DOI: https://doi.org/10.1353/roj.2012.0016
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  1. Okakura's Way of Tea: Representing Chanoyu in Early Twentieth-Century America
  2. Noriko Murai
  3. pp. 70-93
  4. DOI: https://doi.org/10.1353/roj.2012.0000
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  1. Other Tea Cults
  2. Allen Hockley
  3. pp. 94-115
  4. DOI: https://doi.org/10.1353/roj.2012.0003
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  1. What's in a Name?: Rethinking Critical Terms Used to Discuss Mōrōtai
  2. Victoria Weston
  3. pp. 116-136
  4. DOI: https://doi.org/10.1353/roj.2012.0006
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  1. New Art and the Display of Antiquities in Mid-Meiji Tokyo
  2. Chelsea Foxwell
  3. pp. 137-154
  4. DOI: https://doi.org/10.1353/roj.2012.0009
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  1. In Defense of Kenchiku: Itō Chūta's Theorization of Architecture as a Fine Art in the Meiji Period
  2. Alice Y. Tseng
  3. pp. 155-167
  4. DOI: https://doi.org/10.1353/roj.2012.0012
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  1. Reading "Calligraphy Is Not Art" (1882)
  2. Okakura Kakuzō, Timothy Unverzagt Goddard
  3. pp. 168-175
  4. DOI: https://doi.org/10.1353/roj.2012.0015
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  1. Kokka (1889)
  2. Okakura Kakuzō, Timothy Unverzagt Goddard
  3. pp. 176-183
  4. DOI: https://doi.org/10.1353/roj.2012.0018
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  1. Concerning the Institutions of Art Education (1897)
  2. Okakura Kakuzō, Kevin Singleton
  3. pp. 184-195
  4. DOI: https://doi.org/10.1353/roj.2012.0002
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  1. Select Annotated Bibliography of Okakura Kakuzō
  2. Nozomi Naoi, Noriko Murai
  3. pp. 196-209
  4. DOI: https://doi.org/10.1353/roj.2012.0005
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Fiction:

  1. Ukiyo-e Landscapes and Edo Scenic Places (1914)
  2. Nagai Kafū, Kyoko Selden, Alisa Freedman
  3. pp. 210-232
  4. DOI: https://doi.org/10.1353/roj.2012.0008
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  1. On the Contributors
  3. pp. 233-237
  4. DOI: https://doi.org/10.1353/roj.2012.0011
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