Volume 24, 2012

Table of Contents

Beyond Tenshin: Okakura Kakuzo’s Multiple Legacies

  Dedication

p. i
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  Images

pp. ii-viii
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  Acknowledgements

pp. xi-xii
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  Okakura Kakuzō: A Reintroduction

pp. 1-14
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  Okakura Tenshin: Civilization Critique from the Standpoint of Asia (1962)

pp. 15-25
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  Okakura Kakuzō as a Historian of Art

pp. 26-38
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  Okakura Kakuzō and India: The Trajectory of Modern National Consciousness and Pan-Asian Ideology Across Borders

pp. 39-57
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  Okakura Kakuzō and Margaret Noble (Sister Nivedita): A Brief Episode

pp. 58-69
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  Okakura's Way of Tea: Representing Chanoyu in Early Twentieth-Century America

pp. 70-93
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  Other Tea Cults

pp. 94-115
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  What's in a Name?: Rethinking Critical Terms Used to Discuss Mōrōtai

pp. 116-136
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  New Art and the Display of Antiquities in Mid-Meiji Tokyo

pp. 137-154
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  In Defense of Kenchiku: Itō Chūta's Theorization of Architecture as a Fine Art in the Meiji Period

pp. 155-167
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  Reading "Calligraphy Is Not Art" (1882)

pp. 168-175
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  Kokka (1889)

pp. 176-183
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  Concerning the Institutions of Art Education (1897)

pp. 184-195
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  Select Annotated Bibliography of Okakura Kakuzō

pp. 196-209
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Fiction:

  Ukiyo-e Landscapes and Edo Scenic Places (1914)

pp. 210-232
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  On the Contributors

pp. 233-237
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