We cannot verify your location
Browse Book and Journal Content on Project MUSE
OR

  Volume 24, 2012

Table of Contents

Beyond Tenshin: Okakura Kakuzo’s Multiple Legacies

Dedication

p. i
|

Images

pp. ii-viii
|

Acknowledgements

pp. xi-xii
|

Okakura Kakuzō: A Reintroduction

pp. 1-14
|

Okakura Tenshin: Civilization Critique from the Standpoint of Asia (1962)

pp. 15-25
|

Okakura Kakuzō as a Historian of Art

pp. 26-38
|

Okakura Kakuzō and India: The Trajectory of Modern National Consciousness and Pan-Asian Ideology Across Borders

pp. 39-57
|

Okakura Kakuzō and Margaret Noble (Sister Nivedita): A Brief Episode

pp. 58-69
|

Okakura's Way of Tea: Representing Chanoyu in Early Twentieth-Century America

pp. 70-93
|

Other Tea Cults

pp. 94-115
|

What's in a Name?: Rethinking Critical Terms Used to Discuss Mōrōtai

pp. 116-136
|

New Art and the Display of Antiquities in Mid-Meiji Tokyo

pp. 137-154
|

In Defense of Kenchiku: Itō Chūta's Theorization of Architecture as a Fine Art in the Meiji Period

pp. 155-167
|

Reading "Calligraphy Is Not Art" (1882)

pp. 168-175
|

Kokka (1889)

pp. 176-183
|

Concerning the Institutions of Art Education (1897)

pp. 184-195
|

Select Annotated Bibliography of Okakura Kakuzō

pp. 196-209
|

Fiction:

Ukiyo-e Landscapes and Edo Scenic Places (1914)

pp. 210-232
|

On the Contributors

pp. 233-237
|

Research Areas

Recommend

  • You have access to this content
  • Free sample
  • Open Access
  • Restricted Access