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Table of Contents

  1. The Arab Aristophanes
  2. Marvin Carlson
  3. pp. 151-166
  4. DOI: https://doi.org/10.1353/cdr.2013.0019
  5. restricted access
  1. "Pourquoi sous cette table?": More Candlelight on Molière's Tartuffe
  2. David G. Muller
  3. pp. 167-200
  4. DOI: https://doi.org/10.1353/cdr.2013.0022
  5. restricted access
  1. Tragedy and Laughter
  2. Jennifer Wallace
  3. pp. 201-224
  4. DOI: https://doi.org/10.1353/cdr.2013.0024
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  1. Rape and Rape Mythology in the Plays of Sarah Kane
  2. Ian Ward
  3. pp. 225-248
  4. DOI: https://doi.org/10.1353/cdr.2013.0026
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  1. Harold Pinter: The Theatre of Power by Robert Gordon (review)
  2. William Hutchings
  3. pp. 251-254
  4. DOI: https://doi.org/10.1353/cdr.2013.0028
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  1. Molière on Stage: What's So Funny? by Robert W. Goldsby (review)
  2. Mechele Leon
  3. pp. 254-256
  4. DOI: https://doi.org/10.1353/cdr.2013.0016
  5. restricted access
  1. Shakespeare in America by Alden T. Vaughan and Virginia Mason Vaughan (review)
  2. Kim C. Sturgess
  3. pp. 256-259
  4. DOI: https://doi.org/10.1353/cdr.2013.0018
  5. restricted access
  1. Shakespeare and the Staging of English History by Janette Dillon (review)
  2. Wai Fong Cheang
  3. pp. 262-265
  4. DOI: https://doi.org/10.1353/cdr.2013.0023
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  1. Dramatic Revisions of Myths, Fairy Tales and Legends: Essays on Recent Plays ed. by Verna A. Foster (review)
  2. Stephe Harrop
  3. pp. 268-271
  4. DOI: https://doi.org/10.1353/cdr.2013.0027
  5. restricted access
  1. Shakespeare's Schoolroom: Rhetoric, Discipline, Emotion by Lynn Enterline (review)
  2. Jayne Elisabeth Archer
  3. pp. 271-273
  4. DOI: https://doi.org/10.1353/cdr.2013.0015
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  1. Brief Notices
  2. pp. 275-279
  3. DOI: https://doi.org/10.1353/cdr.2013.0017
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  1. Contributors
  2. pp. 281-283
  3. DOI: https://doi.org/10.1353/cdr.2013.0020
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