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  Volume 27, Number 2, Spring 2013

Table of Contents

In Memoriam

p. 1 | DOI: 10.1353/dtc.2013.0003

Editor's Introduction Spring 2013

pp. 6-7 | DOI: 10.1353/dtc.2013.0001


Necessary Repetition/Répétition: Rehearsing Loss in the Theatre of Samuel Beckett

pp. 7-30 | DOI: 10.1353/dtc.2013.0002

"This is a Real Gun": 500 Clown and Speech Act Theory

pp. 31-41 | DOI: 10.1353/dtc.2013.0018

Special Section: “Witnessing History, Performing Trauma”

Edited by Rebecca Rovit

Introduction: Witnessing History, Performing Trauma

pp. 45-52 | DOI: 10.1353/dtc.2013.0005

Trauma Studies Moving Forward: Interdisciplinary Perspectives

pp. 53-65 | DOI: 10.1353/dtc.2013.0015

Channels of Witness: Space, Abstraction, and the Commemoration of Genocide

pp. 67-104 | DOI: 10.1353/dtc.2013.0008

Staging Baghdadi Bath on the Western Stage: Toward a Theatre of Trauma

pp. 105-118 | DOI: 10.1353/dtc.2013.0011

Does Work Liberate?: The Holocaust as Homeopathic Trauma and Deep Structure in Israeli Drama and Performative Re/Presentation of the Middle East Conflict

pp. 119-143 | DOI: 10.1353/dtc.2013.0012

Forgetting to Remember: Performance and Conflict in a Post TRC Peru

pp. 145-157 | DOI: 10.1353/dtc.2013.0009

Theatre and the Rwandan Genocide

pp. 159-166 | DOI: 10.1353/dtc.2013.0014

The Wannsee Conference and Re-embodying the Historical Archive: Trauma and the Moral Imperative

pp. 167-179 | DOI: 10.1353/dtc.2013.0006

Book Reviews

Shakespearean Neuroplay: Reinvigorating the Study of Dramatic Texts and Performance Through Cognitive Science by Amy Cook (review)

pp. 183-185 | DOI: 10.1353/dtc.2013.0017

Early-Twentieth-Century Frontier Dramas on Broadway: Situating the Western Experience in Performing Arts by Richard Wattenberg (review)

pp. 185-187 | DOI: 10.1353/dtc.2013.0000

Theatre and War: Theatrical Responses Since 1991 by Jeanne Colleran (review)

pp. 187-189 | DOI: 10.1353/dtc.2013.0004

Entangled: Technology and the Transformation of Performance by Chris Salter (review)

pp. 189-191 | DOI: 10.1353/dtc.2013.0007

Performing Heritage: Research, Practice and Innovation in Museum Theatre and Live Interpretation ed. by Anthony Jackson and Jenny Kidd (review)

pp. 192-194 | DOI: 10.1353/dtc.2013.0010

The Process of Dramaturgy: A Handbook by Scott R. Irelan, Anne Fletcher, and Julie Felise Dubiner (review)

pp. 194-196 | DOI: 10.1353/dtc.2013.0013

Re-visioning Myth: Modern and Contemporary Drama by Women by Frances Babbage (review)

pp. 196-198 | DOI: 10.1353/dtc.2013.0016

Cognition in the Globe: Attention and Memory in Shakespeare's Theatre by Evelyn Tribble (review)

pp. 199-201 | DOI: 10.1353/dtc.2013.0019

Research Areas


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