1. In Memoriam
  2. Michal Kobialka
  3. p. 1
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  1. Necessary Repetition/Répétition: Rehearsing Loss in the Theatre of Samuel Beckett
  2. Yoon Sook Cha
  3. pp. 7-30
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  1. "This is a Real Gun": 500 Clown and Speech Act Theory
  2. George Pate
  3. pp. 31-41
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  1. Trauma Studies Moving Forward: Interdisciplinary Perspectives
  2. E. Ann Kaplan
  3. pp. 53-65
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  1. Channels of Witness: Space, Abstraction, and the Commemoration of Genocide
  2. Erik Ehn
  3. pp. 67-104
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  1. Staging Baghdadi Bath on the Western Stage: Toward a Theatre of Trauma
  2. James Al-Shamma
  3. pp. 105-118
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  1. Forgetting to Remember: Performance and Conflict in a Post TRC Peru
  2. Katherine Jean Nigh
  3. pp. 145-157
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  1. Theatre and the Rwandan Genocide
  2. Chantal Kalisa
  3. pp. 159-166
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  1. The Wannsee Conference and Re-embodying the Historical Archive: Trauma and the Moral Imperative
  2. Rebecca Rovit
  3. pp. 167-179
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  1. Shakespearean Neuroplay: Reinvigorating the Study of Dramatic Texts and Performance Through Cognitive Science by Amy Cook (review)
  2. Rhonda Blair
  3. pp. 183-185
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  1. Early-Twentieth-Century Frontier Dramas on Broadway: Situating the Western Experience in Performing Arts by Richard Wattenberg (review)
  2. Andrew Gibb
  3. pp. 185-187
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  1. Theatre and War: Theatrical Responses Since 1991 by Jeanne Colleran (review)
  2. Melissa Jackson Burns
  3. pp. 187-189
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  1. Entangled: Technology and the Transformation of Performance by Chris Salter (review)
  2. Sarah G. Marsh
  3. pp. 189-191
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  1. The Process of Dramaturgy: A Handbook by Scott R. Irelan, Anne Fletcher, and Julie Felise Dubiner (review)
  2. Jayson A. Morrison
  3. pp. 194-196
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  1. Re-visioning Myth: Modern and Contemporary Drama by Women by Frances Babbage (review)
  2. Megan Stahl
  3. pp. 196-198
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  1. Cognition in the Globe: Attention and Memory in Shakespeare's Theatre by Evelyn Tribble (review)
  2. Claire Syler
  3. pp. 199-201
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  1. Editor's Introduction Spring 2013
  2. Scott Magelssen
  3. pp. 6-7
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  1. Introduction: Witnessing History, Performing Trauma
  2. Rebecca Rovit
  3. pp. 45-52
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