1. Raymond Williams on Film
  2. Dana Polan
  3. pp. 1-18
  4. DOI: 10.1353/cj.2013.0023
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  1. Film and the Cultural Tradition
  2. Raymond Williams
  3. pp. 19-24
  4. DOI: 10.1353/cj.2013.0026
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  1. “A Remarkable Adventure”: Martin Luther and the 1950s Religious Marketplace
  2. Dan Chyutin
  3. pp. 25-48
  4. DOI: 10.1353/cj.2013.0029
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  1. Visual Riposte: Looking Back at the Return of the Gaze as Postcolonial Theory’s Gift to Film Studies
  2. Paula Amad
  3. pp. 49-74
  4. DOI: 10.1353/cj.2013.0015
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  1. Frustrated Climaxes: On Maya Deren’s Meshes of the Afternoon and Witch’s Cradle
  2. Sarah Keller
  3. pp. 75-98
  4. DOI: 10.1353/cj.2013.0018
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  1. Media Fantasies: Women, Mobility, and Silent-Era Japanese Ballad Films
  2. Diane Wei Lewis
  3. pp. 99-119
  4. DOI: 10.1353/cj.2013.0020
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  1. Para-Industry: Researching Hollywood’s Blackwaters
  2. John T. Caldwell
  3. pp. 157-165
  4. DOI: 10.1353/cj.2013.0014
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  1. Rethinking Distribution for the Future of Media Industry Studies
  2. Alisa Perren
  3. pp. 165-171
  4. DOI: 10.1353/cj.2013.0017
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  1. Recognizing “Industry”
  2. Nitin Govil
  3. pp. 172-176
  4. DOI: 10.1353/cj.2013.0019
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  1. On a Screen Near You: The New Soundwork Industry
  2. Michele Hilmes
  3. pp. 177-182
  4. DOI: 10.1353/cj.2013.0021
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  1. Two-Way Mirrors: Looking at the Future of Academic-Industry Engagement
  2. Jennifer Holt
  3. pp. 183-188
  4. DOI: 10.1353/cj.2013.0024
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  1. Book Review Essay: Television 2013
  2. Amanda D. Lotz
  3. pp. 190-197
  4. DOI: 10.1353/cj.2013.0030
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  1. Forthcoming
  2. p. 214
  3. DOI: 10.1353/cj.2013.0016
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  1. Introduction
  2. Paul McDonald
  3. pp. 145-149
  4. DOI: 10.1353/cj.2013.0025
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  1. Contributors
  2. pp. 188-189
  3. DOI: 10.1353/cj.2013.0027
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