1. In Memoriam: Herbert Blau (1926–2013)
  2. Alan Ackerman
  3. pp. 1-2
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  1. But Not That: Caryl Churchill’s Political Shape Shifting at the Turn of the Millennium
  2. Elaine Aston
  3. pp. 145-164
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  1. Enacting the Obituary: The “Successful Failure” of T.S. Eliot’s The Elder Statesman
  2. Jeffrey M. Brown
  3. pp. 165-185
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  1. What Is and What Aint: Topdog/Underdog and the American Hustle
  2. Patrick Maley
  3. pp. 186-205
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  1. Home, Exile, and Unease in Brian Friel’s Globalized Drama since 1990: Molly Sweeney, The Home Place, and Hedda Gabler (after Ibsen)
  2. Richard Rankin Russell
  3. pp. 206-231
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  1. The Clown’s Lost Twin: Messianic Moments in Hanoch Levin’s Drama
  2. Yair Lipshitz
  3. pp. 232-249
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  1. Starring Madame Modjeska: On Tour in Poland and America by Beth Holmgren (review)
  2. Kazimierz Braun
  3. pp. 250-251
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  1. Enacting Others: Politics of Identity in Eleanor Antin, Nikki S. Lee, Adrian Piper, and Anna Deavere Smith by Cherise Smith (review)
  2. Jennifer DeVere Brody
  3. pp. 252-253
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  1. Political and Protest Theatre after 9/11: Patriotic Dissent ed. by Jenny Spencer (review)
  2. Lindsay B. Cummings
  3. pp. 254-256
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  1. Lena Ashwell: Actress, Patriot, Pioneer by Margaret Leask (review)
  2. Nicholas Dekker
  3. pp. 256-258
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  1. Samuel Beckett and Pain ed. by Mariko Hori Tanaka, Yoshiki Tajiri, Michiko Tsushima (review)
  2. Eric P. Levy
  3. pp. 258-261
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  1. Religion, Theatre, and Performance: Acts of Faith ed. by Lance Gharavi (review)
  2. David Mason
  3. pp. 261-263
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  1. Masculinities and the Contemporary Irish Theatre by Brian Singleton (review)
  2. Charlotte McIvor
  3. pp. 263-266
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  1. Geometry and Atmosphere: Theatre Buildings from Vision to Reality by C. Alan Short, Peter Barrett, Alistair Fair (review)
  2. Cathy Turner
  3. pp. 266-268
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