1. In This Issue
  2. Benjamin Fraser
  3. pp. 5-7
  4. DOI: 10.1353/hcs.2012.0033
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  1. About The Artists: Miguel Brieva and Norma Guzmán
  2. Eva Karene Romero, Eduardo Bolívar Figueira
  3. pp. 9-10
  4. DOI: 10.1353/hcs.2012.0039
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  1. Raphael and Spanish Popular Song: A Master Entertainer and/or Music for Maids
  2. Duncan Wheeler
  3. pp. 11-30
  4. DOI: 10.1353/hcs.2012.0003
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  1. Notes on Shame and Failure: Portrait/s of Queer Puerto Ricans
  2. Irune del Río Gabiola
  3. pp. 31-48
  4. DOI: 10.1353/hcs.2012.0009
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  1. Extrañamiento y subversión de la imagen en Dinero de Miguel Brieva
  2. Steven L. Torres
  3. pp. 49-66
  4. DOI: 10.1353/hcs.2012.0016
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  1. Tupac in their Veins: Hip-Hop Alteño and the Semiotics of Urban Indigeneity
  2. Karl Swinehart
  3. pp. 79-96
  4. DOI: 10.1353/hcs.2012.0030
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  1. Reactions to Karl Swinehart’s “Tupac in their Veins: Hip-Hop Alteño and the Semiotics of Urban Indigeneity”
  2. David Kazanjian
  3. pp. 97-100
  4. DOI: 10.1353/hcs.2012.0027
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  1. El derecho de re-hacer: Signifyin(g) Blackness in Contemporary Mexican Political Cabaret
  2. Laura G. Gutiérrez
  3. pp. 163-176
  4. DOI: 10.1353/hcs.2012.0031
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  1. Re-haciendo el dolor del racismo: Queer Performativity and Audience Reception in Tepoztlán and Mexico City
  2. Lawrence La Fountain-Stokes
  3. pp. 181-182
  4. DOI: 10.1353/hcs.2012.0001
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  1. En Juárez la fotografía como tal muestra sus límites: una entrevista con el fotoperiodista Julián Cardona
  2. Alice Driver
  3. pp. 183-200
  4. DOI: 10.1353/hcs.2012.0007
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  1. Temporalities in Latin American Film
  2. Joanna Page, Ignacio M. Sánchez Prado
  3. pp. 203-210
  4. DOI: 10.1353/hcs.2012.0014
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  1. Sounding Out Temporality in the Argentine Film Musical of the 1930s
  2. Nicolas Poppe
  3. pp. 211-226
  4. DOI: 10.1353/hcs.2012.0021
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  1. Retrofuturism and Reflexivity in Argentine Science Fiction Film: The Construction of Cinematic Time
  2. Joanna Page
  3. pp. 227-244
  4. DOI: 10.1353/hcs.2012.0028
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  1. Even the Rain: A Confluence of Cinematic and Historical Temporalities
  2. Fabrizio Cilento
  3. pp. 245-258
  4. DOI: 10.1353/hcs.2012.0035
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  1. Heterotemporal Mise-en-scène in the Films of Luis Estrada
  2. Brian L. Price
  3. pp. 259-274
  4. DOI: 10.1353/hcs.2012.0041
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  1. Mythic Time and Slow Time: The Construction of the Viewer in El violín
  2. Victoria L. Garrett
  3. pp. 277-292
  4. DOI: 10.1353/hcs.2012.0005
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  1. El sublime neoliberal: amor y temporalidad en el cine mexicano del capitalismo tardío
  2. Ignacio M. Sánchez Prado
  3. pp. 293-310
  4. DOI: 10.1353/hcs.2012.0012
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  1. Hamaca Paraguaya (2006): Temporal Resistance and Its Impossibility
  2. Eva Karene Romero
  3. pp. 311-330
  4. DOI: 10.1353/hcs.2012.0019
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  1. Spanish Fiction in the Digital Age: Generation X Remixed by Christine Henseler (review)
  2. Roberta Johnson
  3. pp. 331-332
  4. DOI: 10.1353/hcs.2012.0020
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  1. Teatro y fascismo en España. El itinerario de Felipe Lluch by Víctor García Ruiz (review)
  2. David Rodríguez-Solás
  3. pp. 332-333
  4. DOI: 10.1353/hcs.2012.0013
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  1. Masculinities in Contemporary Argentine Popular Cinema by Carolina Rocha (review)
  2. María José Punte
  3. pp. 335-336
  4. DOI: 10.1353/hcs.2012.0000
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  1. Brazilian Art under Dictatorship: Antonio Manuel, Artur Barrio, and Cildo Meireles by Claudia Calirman (review)
  2. Megan Lorraine Debin
  3. pp. 336-337
  4. DOI: 10.1353/hcs.2012.0036
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  1. The Mobile Nation. España cambia de piel (1954–1964) by Tatjana Pavlović (review)
  2. Jorge Pérez
  3. pp. 337-338
  4. DOI: 10.1353/hcs.2012.0029
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  1. Radical Justice: Spain and the Southern Cone beyond Market and State by Luis Martín-Cabrera (review)
  2. Eduardo Matos-Martín
  3. pp. 340-341
  4. DOI: 10.1353/hcs.2012.0015
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  1. Latin Americanism after 9/11 by John Beverley (review)
  2. Abraham Acosta
  3. pp. 343-344
  4. DOI: 10.1353/hcs.2012.0002
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  1. War, Exile, Justice, and Everyday Life, 1936–1946 ed. by Sandra Ott (review)
  2. Iker González-Allende
  3. pp. 344-345
  4. DOI: 10.1353/hcs.2012.0038
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  1. Un hispanismo para el siglo XXI. Ensayos de crítica cultural ed. by Rosalía Cornejo Parriego, Alberto Villamandos (review)
  2. Pablo Guerra
  3. pp. 345-346
  4. DOI: 10.1353/hcs.2012.0032
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  1. Marginal Subjects: Gender and Deviance in Fin de siècle Spain by Akiko Tsuchiya (review)
  2. Harriet S. Turner
  3. pp. 346-348
  4. DOI: 10.1353/hcs.2012.0025
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  1. La imaginación novelesca. Bernal Díaz entre géneros y épocas by Oswaldo Estrada (review)
  2. Manuel Prendes Guardiola
  3. pp. 348-349
  4. DOI: 10.1353/hcs.2012.0018
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  1. Cristina Rivera Garza. Ningún crítico cuenta esto... ed. by Oswaldo Estrada (review)
  2. Valerie Hecht
  3. pp. 349-351
  4. DOI: 10.1353/hcs.2012.0011
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