1. Umbuik Mudo and the Magic Flute: A Randai Dance-Drama
  2. Kirstin Pauka, Ivana Askovic, Barbara Polk
  3. pp. 113-146
  4. DOI: 10.1353/atj.2003.0025
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  1. Emptying the Sea by the Bucketful: The Dilemma in Cambodian Theatre
  2. Catherine Diamond
  3. pp. 147-178
  4. DOI: 10.1353/atj.2003.0021
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  1. Dreams of Peach Blossoms: Cultural Memory in a Nepali Play
  2. Carol Davis
  3. pp. 179-190
  4. DOI: 10.1353/atj.2003.0020
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  1. Remembering Zeami: The Kanze School and Its Patriarch
  2. Eric C. Rath
  3. pp. 191-208
  4. DOI: 10.1353/atj.2003.0027
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  1. Ice Queens, Rice Queens, and Intercultural Investments in Zhang Yimou's Turandot
  2. Sean Metzger
  3. pp. 209-217
  4. DOI: 10.1353/atj.2003.0024
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  1. Monomane, Yugen, and Gender in Izutsu and Sotoba Komachi
  2. Peter Thornton
  3. pp. 218-225
  4. DOI: 10.1353/atj.2003.0031
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  1. Role Types in The Paired Fish, a Chuanqi Play
  2. Jing Shen
  3. pp. 226-236
  4. DOI: 10.1353/atj.2003.0029
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  1. Theatricalities of Power: The Cultural Politics of Noh (review)
  2. Stanca Scholz-Cionca
  3. pp. 237-241
  4. DOI: 10.1353/atj.2003.0028
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  1. Acting Like a Woman in Modern Japan: Theatre, Gender, and Nationalism (review)
  2. Carol Fisher Sorgenfrei
  3. pp. 244-247
  4. DOI: 10.1353/atj.2003.0030
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  1. Lightness of Being in China: Adaptation and Discursive Figuration in Cinema and Theater (review)
  2. Robert Chi
  3. pp. 247-249
  4. DOI: 10.1353/atj.2003.0018
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  1. Mistress & Maid (Jiaohongji) (review)
  2. Elizabeth Wichmann
  3. pp. 250-253
  4. DOI: 10.1353/atj.2003.0032
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  1. Paris/Artaud/Bali: Antonin Artaud Vede il Teatro Balinese all'Esposizione Coloniale di Parigi del 1931 (review)
  2. Sergio Costola
  3. pp. 253-255
  4. DOI: 10.1353/atj.2003.0019
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  1. Ta'ziyeh (review)
  2. Rebecca Ansary Pettys
  3. pp. 256-259
  4. DOI: 10.1353/atj.2003.0026
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  1. Editor's Note
  2. Samuel L. Leiter
  3. pp. iii-iv
  4. DOI: 10.1353/atj.2003.0023
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