1. Black Englishness and the Concurrent Voices of Richard Marsh in The Surprising Husband
  2. Johan Höglund
  3. pp. 275-291
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  1. Arthur Morrison and the Tyranny of Sentimental Charity
  2. Adrian Hunter
  3. pp. 292-312
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  1. Vernon Lee at the Margins of the Twentieth Century: World War I, Pacifism, and Post-Victorian Aestheticism
  2. Kristin Mahoney
  3. pp. 313-342
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  1. Pater and the Painterly: Imaginary Portraits
  2. Lene Østermark-Johansen
  3. pp. 343-354
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  1. Recusant Poetics: Rereading Catholicism at the Fin de Siècle
  2. Alex Murray
  3. pp. 355-373
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  1. Marie Corelli's The Sorrows of Satan: Literary Professionalism and the Female Author as Priest
  2. Christiane Gannon
  3. pp. 374-395
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  1. Wilde, Homosexuality, Ireland
  2. Ian Small
  3. pp. 396-398
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  1. A Fin-de-Siècle Failed Radical: John Evelyn Barlas
  2. Stanley Weintraub
  3. pp. 399-400
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  1. Design, Decoration, & Aestheticism
  2. Diana Maltz
  3. pp. 400-404
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  1. Dress & Identity
  2. Benjamin F. Fisher
  3. pp. 404-406
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  1. Aestheticism, Pater, Literary Theory
  2. Bruce Bashford
  3. pp. 406-410
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  1. Metageographies & Modernist Fiction
  2. Lee Garver
  3. pp. 411-415
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  1. Joyce & Flaubert
  2. John Gordon
  3. pp. 415-419
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  1. The First & Last of Conrad
  2. Richard Niland
  3. pp. 419-422
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  1. Cambridge UP's Lord Jim
  2. John Peters
  3. pp. 422-423
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