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Table of Contents

  1. A Reassessment of John Bale's Rhetoric: Drama, Bibliography, and Biography
  2. Peter Happé
  3. pp. 259-275
  4. DOI: https://doi.org/10.1353/sel.2013.0012
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  1. Torture and Summary Justice in The Spanish Tragedy
  2. Timothy A. Turner
  3. pp. 277-292
  4. DOI: https://doi.org/10.1353/sel.2013.0017
  5. restricted access
  1. Popular Performance, the Broadside Ballad, and Ophelia's Madness
  2. Caralyn Bialo
  3. pp. 293-309
  4. DOI: https://doi.org/10.1353/sel.2013.0014
  5. restricted access
  1. Demonic Ventriloquism and Venetian Skepticism in Othello
  2. Blair Morris
  3. pp. 311-335
  4. DOI: https://doi.org/10.1353/sel.2013.0016
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  1. Single and Surrogate Parenting in All's Well That Ends Well
  2. Hiewon Shin
  3. pp. 337-355
  4. DOI: https://doi.org/10.1353/sel.2013.0018
  5. restricted access
  1. The Female Body as Soul in Queen Anna's Masques
  2. Sarah E. Johnson
  3. pp. 357-377
  4. DOI: https://doi.org/10.1353/sel.2013.0020
  5. restricted access
  1. Mastery, Masculinity, and Sexual Cozening in Ben Jonson's Epicoene
  2. Ari Friedlander
  3. pp. 379-399
  4. DOI: https://doi.org/10.1353/sel.2013.0021
  5. restricted access
  1. The Comic Core of Both A- and B-Editions of Doctor Faustus
  2. Ruth Stevenson
  3. pp. 401-419
  4. DOI: https://doi.org/10.1353/sel.2013.0011
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  1. Navigating the Dangers of Female Puberty in Renaissance Drama
  2. Ursula Potter
  3. pp. 421-439
  4. DOI: https://doi.org/10.1353/sel.2013.0013
  5. restricted access
  1. Recent Studies in Tudor and Stuart Drama
  2. Garrett A. Sullivan Jr.
  3. pp. 441-494
  4. DOI: https://doi.org/10.1353/sel.2013.0019
  5. restricted access
  1. Books Received
  2. pp. 486-494
  3. DOI: https://doi.org/10.1353/sel.2013.0022
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