1. Reflections on Writing The Disappeared
  2. Ching Ai (Kim Echlin) Lin
  3. pp. 127-131
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  1. ‘We are the other, the other is us’
  2. Kim Echlin, Smaro Kamboureli, Hannah McGregor
  3. pp. 132-149
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  1. Witnessing Cambodia’s Disappeared
  2. Y-Dang Troeung
  3. pp. 150-167
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  1. Travel, Ethics, and Moral Distress in The Prophet’s Camel Bell
  2. Suzanne Bailey
  3. pp. 168-184
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  1. Troping the Foreign in P.K. Page’s ‘Questions and Images’
  2. Hannah McGregor
  3. pp. 185-197
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  1. The First and Last Country: Some Notes on Writing and Living the Foreign
  2. Karen Connelly
  3. pp. 198-204
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  1. ‘Implicated by the truth’
  2. Karen Connelly, Smaro Kamboureli, Hannah McGregor
  3. pp. 205-224
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  1. Canadian Female Gothic on the Foreign Border: Margaret Atwood’s Bodily Harm and Karen Connelly’s Burmese Lessons
  2. Marlene Goldman
  3. pp. 225-241
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  1. 'History’s Pulse Measured with Another Hand': Precarity Archives and Translocal Citizen Witness in Dionne Brand’s Inventory
  2. Brenda Carr Vellino
  3. pp. 242-260
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  1. ‘Throw yourself into the deep end’
  2. Camilla Gibb, Smaro Kamboureli, Hannah McGregor
  3. pp. 261-277
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  1. Gendered Colonial Complicity and Postcolonial Desire: Daphne Marlatt’s ‘In the Month of Hungry Ghosts’
  2. Andrea Beverley
  3. pp. 298-313
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  1. ‘Putting the strange in the stranger’
  2. Michael Helm, Smaro Kamboureli, Hannah McGregor
  3. pp. 314-330
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  1. Foreign Encounters: The Political and Visual Aesthetics of Humanitarianism in Contemporary Canadian Film Culture
  2. Heike Härting
  3. pp. 331-352
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  1. Michael Ignatieff, Romeo Dallaire, Stephen Lewis, and the Making(s) of a Canadian Global Conscience
  2. Asha Varadharajan
  3. pp. 353-374
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  1. Writing the Foreign in Canadian Literature and Humanitarian Narratives: Introduction
  2. Smaro Kamboureli
  3. pp. 87-126
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