restricted access   Volume 94, Number 1, February 2013

Table of Contents

‘Se vedesti qui dentro’: Monteverdi’s ‘O Mirtillo, Mirtillo Anima mia’ and Artusi’s Offence

pp. 1-37

Moliére, Descartes, and the Practice of Comedy in the Intermezzo

pp. 38-77

Temporality in Nineteenth-Century Russian Music and the Notion of Development

pp. 78-118

‘What Never Was Has Ended’: Bach, Bergman, and the Beatles in Christopher Münch’s ‘The Hours and Times’

pp. 119-137

Review Article

Music Immutable: Heinrich Schenker’s ‘Der Tonwille’ in Translation

pp. 138-145


Night Music: Essays on Music 1928–1962 by Theodor W. Adorno (review)

pp. 177-179

Sounds of Secrets: Field Notes on Ritual Music and Musical Instruments on the Islands of Vanuatu By Raymond Ammann (review)

pp. 198-200

Blackness in Opera ed. by Naomi André, Karen M. Bryan and Eric Saylor (review)

pp. 170-172

Brazilian Popular Music and Citizenship ed. by Idelber Avelar, Christopher Dunn (review)

pp. 190-193

Hans von Bülow: A Life for Music by Kenneth Birkin (review)

pp. 166-168

Representations of Jews in the Musical Theater of the Habsburg Empire (1788–1807) by David J. Buch (review)

pp. 154-156

Performing Pain: Music and Trauma in Eastern Europe by Maria Cizmic (review)

pp. 193-196

Listening through the Noise: The Aesthetics of Experimental Music by Joanna Demers (review)

pp. 187-190

Music and Decadence in European Modernism: The Case of Central and Eastern Europe by Stephen Downes (review)

pp. 175-177

From Harmony, from heav’nly Harmony by Giovanni Battista Draghi (review)

pp. 146-149

Annotated Catalogue of Chopin’s First Editions by Christophe Grabowski and John Rink (review)

pp. 163-166

Wagner’s Ring in 1848: New Translations of the Nibelung Myth and Siegfried’s Death by Edward R. Haymes (review)

pp. 168-170

Die Aufführungen der Opern von Richard Strauss im 20. Jahrhundert: Daten, Inszenierungen, Besetzungen, Band 2 by Günther Lesnig, and: Richard Strauss: A Musical Life by Raymond Holden (review)

pp. 172-175

Le Prophète: Edition, Konzeption, Rezeption by Giacomo Meyerbeer (review)

pp. 159-163

The Baroque Libretto: Italian Operas and Oratorios in the Thomas Fisher Library at the University of Toronto by Domenico Pietropaolo and Mary Ann Parker (review)

pp. 149-152

American Muse: The Life and Times of William Schuman by Joseph W. Polisi, and: Orpheus in Manhattan: William Schuman and the Shaping of America’s Musical Life by Stephen Swayne, and: The Music of William Schuman, Vincent Persichetti, and Peter Mennin: Voices of Stone and Steel by Walter Simmons (review)

pp. 179-182

Changing the Score: Arias, Prima Donnas, and the Authority of Performance by Hilary Poriss (review)

pp. 156-159

Mozart and Enlightenment Semiotics by Stephen Rumph (review)

pp. 152-154

A Life in Pursuit of Music and Beauty by Gunther Schuller (review)

pp. 182-184

The Cambridge Companion to Arvo Pärt ed. by Andrew Shenton (review)

pp. 184-187

Touraj Kiaras and Persian Classical Music: An Analytical Perspective by Owen Wright (review)

pp. 196-198

Correspondence: To the Editors of ‘Music & Letters’

p. 201

Recipients of ‘Music & Letters’ Awards

p. 202

‘Music & Letters’ Awards

p. 204

Authors of Articles in this Issue

p. 204

Books Received

p. 205