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  Volume 30, Number 1, Spring 2013

Table of Contents

From the Editor

pp. iii-iv | DOI: 10.1353/atj.2013.0002

Color Insert

pp. Color Insert 01-Color Insert 08 | DOI: 10.1353/atj.2013.0013


The Case of Princess Baihua: State Diplomatic Functions and Theatrical Creative Process in China in the 1950s and 1960s

pp. 1-29 | DOI: 10.1353/atj.2013.0006

Zeami's Confucian Theatre

pp. 30-66 | DOI: 10.1353/atj.2013.0010

Yeonwoo Mudae and the Korean Theatre Movement in the 1980s

pp. 67-89 | DOI: 10.1353/atj.2013.0014

Politics and Theatre in the PRC: Fifty Years of Teahouse on the Chinese Stage

pp. 90-121 | DOI: 10.1353/atj.2013.0017

Bangsawan: Creative Patterns in Production

pp. 122-144 | DOI: 10.1353/atj.2013.0020

The Politics of Difference in Krishen Jit's Theatre in the 1970s: "A Time of Intense Questioning" in Malaysian Culture

pp. 145-171 | DOI: 10.1353/atj.2013.0000

Emerging Scholars' Papers

Dreamers' Nightmare: The Melancholia of the Taiwanese Centennial Celebration

pp. 172-188 | DOI: 10.1353/atj.2013.0004

Should Nandan Be Abolished?: The Debate over Female Impersonation in Early Republican China and Its Underlying Cultural Logic

pp. 189-206 | DOI: 10.1353/atj.2013.0008

Suzuki Tadashi's Intercultural Progress in South Korea

pp. 207-222 | DOI: 10.1353/atj.2013.0012


A Celebration of Gamelan Sekar Petak's Thirtieth Anniversary and of the British Gamelan Scene: Wayang Lokananta: The Gamelan of the Gods. University of York, Department of Music, 26-28 April 2012. York, United Kingdom.

pp. 223-232 | DOI: 10.1353/atj.2013.0016


Communities of Imagination: Contemporary Southeast Asian Theatres by Catherine Diamond (review)

pp. 233-236 | DOI: 10.1353/atj.2013.0019

Invoking Happiness: Guide to the Sacred Festivals of Bhutan and Gross National Happiness by Khenpo Phuntsok Tashi (review)

pp. 236-238 | DOI: 10.1353/atj.2013.0022

Unfinished Gestures: Devadasis, Memory, and Modernity in South India by Davesh Soneji (review)

pp. 239-241 | DOI: 10.1353/atj.2013.0003

Between Fame and Shame: Performing Women—Women Performers in India (review)

pp. 241-245 | DOI: 10.1353/atj.2013.0007

A History of the Jana Natya Manch: Plays for the People by Arjun Ghosh (review)

pp. 245-248 | DOI: 10.1353/atj.2013.0011

British South Asian Theatres: A Documented History by Graham Ley and Sarah Dadswell (review)

pp. 248-250 | DOI: 10.1353/atj.2013.0015

Critical Essay on British South Asian Theatre ed. by Graham Ley and Sarah Dadswell (review)

pp. 250-254 | DOI: 10.1353/atj.2013.0018

Histoire du Théâtre Classique Japonais by Jean-Jacques Tschudin (review)

pp. 254-257 | DOI: 10.1353/atj.2013.0021

Enter a Samurai: Kawakami Otojirō and Japanese Theatre in the West by Joseph L. Anderson (review)

pp. 257-260 | DOI: 10.1353/atj.2013.0001

Sounding Like Shakespeare: A Study of Prosody in Four Japanese Translations of A Midsummer Night's Dream by Daniel Gallimore (review)

pp. 260-263 | DOI: 10.1353/atj.2013.0005

Hijikata Tatsumi and Butoh: Dancing in a Pool of Gray Grits by Bruce Baird (review)

pp. 263-266 | DOI: 10.1353/atj.2013.0009