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Table of Contents

Articles

  1. Personalizing Violence in Balzac's Les Chouans
  2. Allan H. Pasco
  3. pp. 191-203
  4. DOI: https://doi.org/10.1353/ncf.2013.0011
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  1. Affective Capital and Social Struggle in Dumas Père's Angèle
  2. Roberta Barker
  3. pp. 204-219
  4. DOI: https://doi.org/10.1353/ncf.2013.0017
  5. restricted access
  1. Nerval, Ronsard and the Orphic Lyre: Modulating Romantic Irony in Les Chimères
  2. Robert J. Hudson
  3. pp. 220-236
  4. DOI: https://doi.org/10.1353/ncf.2013.0022
  5. restricted access
  1. Félicien Rops, graveur de la décadence latine
  2. Nicolas Valazza
  3. pp. 237-254
  4. DOI: https://doi.org/10.1353/ncf.2013.0027
  5. restricted access
  1. Turning Tricks, Turning the Tables: Plotting the Brasserie à femmes in Tabarant's Virus d'amour
  2. Jessica Tanner
  3. pp. 255-271
  4. DOI: https://doi.org/10.1353/ncf.2013.0032
  5. restricted access
  1. The Evolution of Mallarmé's Social Consciousness
  2. Laurence M. Porter
  3. pp. 272-291
  4. DOI: https://doi.org/10.1353/ncf.2013.0004
  5. restricted access
  1. New light on the Bibliothèque Cardinal
  2. Graham Falconer
  3. pp. 292-304
  4. DOI: https://doi.org/10.1353/ncf.2013.0009
  5. restricted access

Reviews

French Romanticism

  1. Enquêtes sur les Promenades dans Rome ed. by Xavier Bourdenet and François Vanoosthuyse (review)
  2. Sarah Bernthal
  3. pp. 305-307
  4. DOI: https://doi.org/10.1353/ncf.2013.0015
  5. restricted access
  1. Les Boudoirs dans l'œuvre d'Honoré de Balzac: surveiller, mentir, désirer, mourir by Jean-François Richer (review)
  2. Véronique Bui
  3. pp. 307-309
  4. DOI: https://doi.org/10.1353/ncf.2013.0020
  5. restricted access
  1. Alexandre Privat d'Anglemont: le funambule by Willy Alante-Lima (review)
  2. Henry Cohen
  3. pp. 310-311
  4. DOI: https://doi.org/10.1353/ncf.2013.0025
  5. restricted access

Women's Studies

  1. Isabelle de Montolieu reads Jane Austen's Fictional Minds. The First French Translations of Free Indirect Discourse from Jane Austen's Persuasion by Adam Russell (review)
  2. Isabelle Tremblay
  3. pp. 311-313
  4. DOI: https://doi.org/10.1353/ncf.2013.0030
  5. restricted access
  1. Approaches to Teaching Duras's Ourika ed. by Mary Ellen Birkett and Christopher Rivers (review)
  2. Sarah E. Mosher
  3. pp. 313-314
  4. DOI: https://doi.org/10.1353/ncf.2013.0002
  5. restricted access
  1. George Sand: Intertextualité et Polyphonie 1. Palimpsestes, Échanges, Réécritures ed. by Nigel Harkness and Jacinta Wright, and: George Sand: Intertextualité et Polyphonie 2. Voix, Image, Texte ed. by Nigel Harkness and Jacinta Wright (review)
  2. Aimée Boutin
  3. pp. 314-317
  4. DOI: https://doi.org/10.1353/ncf.2013.0007
  5. restricted access

Translations

  1. The Wild Ass's Skin by Honoré de Balzac (review)
  2. Barbara Wright
  3. pp. 317-318
  4. DOI: https://doi.org/10.1353/ncf.2013.0013
  5. restricted access
  1. An Anthology of Nineteenth-Century Women's Poetry from France by Gretchen Schultz (review)
  2. Marion Krauthaker-Ringa
  3. pp. 319-320
  4. DOI: https://doi.org/10.1353/ncf.2013.0018
  5. restricted access

Epistolary Studies

  1. Lettres d'Émile Souvestre à Édouard Turquéty, 1826-1852 by David Steel (review)
  2. Nelly Blanchard
  3. pp. 321-322
  4. DOI: https://doi.org/10.1353/ncf.2013.0023
  5. restricted access
  1. À cinq heures nous serons tous morts! Sur la barricade Saint-Merry, 5-6 juin 1832 by Charles Jeanne (review)
  2. Mark Traugott
  3. pp. 323-326
  4. DOI: https://doi.org/10.1353/ncf.2013.0028
  5. restricted access

Diachronic Perspectives

  1. Victor Hugo, Jean-Paul Sartre, and the Liability of Liberty by Bradley Stephens (review)
  2. Andrea S. Thomas
  3. pp. 326-328
  4. DOI: https://doi.org/10.1353/ncf.2013.0000
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  1. The Fevered Novel from Balzac to Bernanos. Frenetic Catholicism in Crisis, Delirium and Revolution by Francesco Manzini (review)
  2. Maud Pillet
  3. pp. 328-330
  4. DOI: https://doi.org/10.1353/ncf.2013.0005
  5. restricted access

Word and Image

  1. Balzac, Grandville, and the Rise of Book Illustration by Keri Yousif (review)
  2. Daniel Sipe
  3. pp. 330-332
  4. DOI: https://doi.org/10.1353/ncf.2013.0010
  5. restricted access
  1. Æsthetic Rivalries: Word and Image in France, 1880-1926 by Linda Goddard (review)
  2. Sarah Lippert
  3. pp. 332-334
  4. DOI: https://doi.org/10.1353/ncf.2013.0016
  5. restricted access

Cultural Studies

  1. By Sword and Plow: France and the Conquest of Algeria by Jennifer E. Sessions (review)
  2. John Zarobell
  3. pp. 334-336
  4. DOI: https://doi.org/10.1353/ncf.2013.0021
  5. restricted access
  1. Accounting for Taste: The Triumph of French Cuisine by Priscilla Parkhurst Ferguson (review)
  2. Sarah E. Mosher
  3. pp. 336-338
  4. DOI: https://doi.org/10.1353/ncf.2013.0026
  5. restricted access
  1. The Romantic Machine: Utopian Science and Technology after Napoleon by John Tresch (review)
  2. Greg Kerr
  3. pp. 338-339
  4. DOI: https://doi.org/10.1353/ncf.2013.0031
  5. restricted access
  1. Making Way for Genius. The Aspiring Self in France from the Old Regime to the New by Kathleen Kete (review)
  2. Marie-Pierre Le Hir
  3. pp. 339-341
  4. DOI: https://doi.org/10.1353/ncf.2013.0003
  5. restricted access

Fin de Siècle

  1. The Decadent Republic of Letters: Taste, Politics, and Cosmopolitan Community from Baudelaire to Beardsley by Matthew Potolsky (review)
  2. David Weir
  3. pp. 341-343
  4. DOI: https://doi.org/10.1353/ncf.2013.0008
  5. restricted access
  1. Proust, the One, and the Many: Identity and Difference in À la recherche du temps perdu by Erika Fülöp (review)
  2. Pascal Ifri
  3. pp. 343-345
  4. DOI: https://doi.org/10.1353/ncf.2013.0014
  5. restricted access
  1. L'Europe en automobile: Octave Mirbeau, écrivain voyageur ed. by Éléonore Reverzy and Guy Ducrey (review)
  2. Claire Nettleton
  3. pp. 345-347
  4. DOI: https://doi.org/10.1353/ncf.2013.0019
  5. restricted access

Exhibition Catalogues

  1. Old Masters, Impressionists, and Moderns: French Masterworks from the State Pushkin Museum, Moscow by Irina A. Antonova and Charlotte Eyerman (review)
  2. Yves Laberge
  3. pp. 347-349
  4. DOI: https://doi.org/10.1353/ncf.2013.0024
  5. restricted access
  1. Monet et l'abstraction. Monet and Abstraction by Paloma Alarcó, et al. (review)
  2. Yves Laberge
  3. pp. 349-350
  4. DOI: https://doi.org/10.1353/ncf.2013.0029
  5. restricted access
  1. Édouard Vuillard: A Painter and His Muses, 1890-1940 by Stephen Brown (review)
  2. Olivia Gruber Florek
  3. pp. 350-352
  4. DOI: https://doi.org/10.1353/ncf.2013.0001
  5. restricted access
  1. Errata
  3. p. 353
  4. DOI: https://doi.org/10.1353/ncf.2013.0006
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  1. Nineteenth-Century French Studies: Spring-Summer 2013 / Volume 41 Numbers 1-4
  3. pp. 354-359
  4. DOI: https://doi.org/10.1353/ncf.2013.0012
  5. restricted access